Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Kahraman Deniz - Gelirim - Chord
Key Db major – Bb minor Chords Gb, Ebm, Fm, Bbm, Bm Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Bbm
Tıkanırım ara sıra, o güvendiğim ilhamlara küfrederim
Gb
Kafadaki kozalak asit yağmuruna tutulmuş, yükselirim
Ebm
Tutunurum açtığı yaralara, geleneksel depremlerimin
Fm
Yıkılırım, içim enkazına hapsolmuş, çıkarın, geleyim
Bbm
Yazdım öylece, düşünmeden, yeni ve sıkı bi' ‘flow’ denedim, işte kaydı
Gb
Hep önünde iki yol, ikisi de baydı; mutlu ol ya da öl, hepsi aynı
Ebm
Hangi yaram açık kalmadı, çabuk iyileşti ve kabuk bağladı
Fm
Hiç güneş açmaz mevsime döndüm, yer buna sustu da, gök ağladı
Bbm Gb Ebm
Hüzün üstüme inmiş ipince bi’ sis, tutar en güzel hissi içinde hapis
Fm
Burada bir haksızlık var, gönül işi mevzu bahis
Bm Gb
Çöker üzerime keder, esiriyim
Ebm
Bu gece de ben ölmeye meyilliyim
Çağır beni yine saza söze
Fm
Doğar, gelirim
Bm Gb
Çıkar önüme, dağı da deviririm
Ebm
Yürürüm, ben az ötede yenilirim
Çağır beni yine saza söze
Fm
Koşar, gelirim
Bbm
Yüreğimin aklımı işgaline marş yazdım, yayılır söylenerek
Gb
Yine kıyamadım, askerlerimi çekip sakladım, her yaşama zafer diyerek
Ebm
Ama unutana sonunu hatırlatmam gerekir ki tutunabilelim severek
Fm
Öyle yaşa ki o canını söksün ölüm bile elleri titreyerek
Bbm
Dürter güdülerim, az bir zaman olduğunu hatırlarım istemeden
Gb
Dönmem buralara, bir terk edebilsem, hiç kimseyi özlemeden
Ebm
Gitmez densiz misafir, yediği kabına yine iyicene pislemeden
Fm
Gerçek bensiz de zahir, dilim had bilmez, duramam söylemeden
Bbm
Zaman aktı da ben geri dönecektim
Gb
Oyunum kalmıştı, bitirecektim
Ebm
Ben dünyanın çilesini çektim
Fm
E kötü mü ettim? beni buldum
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Kahraman Deniz - Gelirim Tabs
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Harmony analysis
Kahraman Deniz – Gelirim: key and chord analysis
The song opens on Bbm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 6 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 8× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 8× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 8× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 6× |
| bvii | Bm | Chromatic colour chordoutside the key | B · D · F# | 2× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 6× |
| bii | Bm | Chromatic colour chordoutside the key | B · D · F# | 2× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 8× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 8× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 8× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 32 times in total; 4 of them sit naturally inside the shared scale. Bm step outside the scale as colour chords.
Chord movement
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×5
The move to watch is Fm → Bbm, heard 5 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The backbone is Gb, Ebm, Fm, Bbm — IV–ii–iii–vi from the Db side, VI–iv–v–i from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. The final chord is Fm; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Gelirim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kahraman DenizMusic: Kahraman DenizArrangement: Ateş Berker Öngören
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