Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Kahraman Deniz - Kendimi Bulmak - Chord
Key Db major – Bb minor Chords Ab, Bbm, Gbmaj7, Fm Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Bbm Ab Gbmaj7 Ab
Bbm Ab
Koskoca bir hiçliğim uzay ve zamanda
Gbmaj7 Fm
Çöl oldu gönlüm, ne deniz kaldı ne damla
Bbm Ab
Ver bana sevgini, ver ne varsa şu anda
Gbmaj7 Fm
Benim yarına çıkacağımın bile garantisi yok
Bbm Ab
Aklı bırak, hislerinle bul beni
Gbmaj7 Fm
Gözlerimde görmüyorsan evreni
Bbm Ab
Soy beni benden, ardında gör seni
Gbmaj7 Fm
Fark et bizi ve affet hepimizi
Bbm Ab
Binlerce ben var içimde ve zor, zor esas beni duymak
Gbmaj7 Fm
Gerçekliğe alışamadım, deliyim, işim hep hayal kurmak
Bbm Ab
Beni doyurmadı hiçbir istediğim, kaderim kayıp olmak
Gbmaj7 Fm
Geriye tek çözümüm kaldı, o da kendimi bulmak
Bbm Ab Gbmaj7 Ab
Bbm Ab
Yazmışım özdeyişlerimi umut ve kanla
Gbmaj7 Fm
Daha ne söylenir, ben isterim ki sen anla
Bbm Ab
Ay yalancı bir eş, güneş doğar, selamla
Gbmaj7 Fm
Bizim yarına çıkacağımızın hiç garantisi yok
Bbm Ab
Aklı bırak, hislerinle bul beni
Gbmaj7 Fm
Gözlerimde görmüyorsan evreni
Bbm Ab
Soy beni benden, ardında gör seni
Gbmaj7 Fm
Fark et bizi ve affet hepimizi
Bbm Ab
Binlerce ben var içimde ve zor, zor esas beni duymak
Gbmaj7 Fm
Gerçekliğe alışamadım, deliyim, işim hep hayal kurmak
Bbm Ab
Beni doyurmadı hiçbir istediğim, kaderim kayıp olmak
Gbmaj7 Fm
Geriye tek çözümüm kaldı, o da kendimi bulmak
End of song Play again?
Kahraman Deniz - Kendimi Bulmak Tabs
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Harmony analysis
Kahraman Deniz – Kendimi Bulmak: key and chord analysis
The song opens on Bbm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 14 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 12× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IVmaj7 | Gbmaj7 | Subdominant — moves away from home | Gb · Bb · Db · F | 14× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 16× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 14× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 14× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 12× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VImaj7 | Gbmaj7 | Submediant — warm colour | Gb · Bb · Db · F | 14× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 16× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 56 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×11
- Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×2
- Gbmaj7 Ab DbIVmaj7 → VIV → V BbmVImaj7 → VIIVI → VII ×2
The move to watch is Fm → Bbm, heard 11 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Gbmaj7, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. The backbone is Ab, Bbm, Gbmaj7, Fm — V–vi–IVmaj7–iii from the Db side, VII–i–VImaj7–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. The final chord is Fm; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Kendimi Bulmak Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kahraman DenizMusic: Kahraman DenizArrangement: Cenk Çelik
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