Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Loredana - Du bist Mein (ZUNA) - Chord
Key Db major – Bb minor Chords Bbm, Ebm, F Easy key C (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Bbm
Marihuana
Ebm
Wenn ich bei dir bin, geht es dir besser
F Bbm
Ich bin dein Marihuana
Ebm F
Du rufst mich immer an, wenn du mal Stress hast
Bbm
Marihuana
Ebm F
Du hältst an mir fest, denn dir gefällt es
Bbm
Marihuana
Ebm F
Ich bin dein Marihuana
Bbm Ebm Bbm
Marihuana, Loredana siehst du auf jedem Poster
Ebm F
Hab' mein Fahrer, roll' mit zwanzig Km/h in der Großstadt
Bbm Ebm F
Was für labern? Was für Karma? Million Dollar, steiger' Umsatz
Bbm Ebm
Also Baby, sag mir, fliegst du mit hoch?
F
Halt dich fest, nein, ich lass' dich nicht los
Bbm Ebm
Wir beide sind perfekt, keiner kann uns einhol'n
F
Im SL weinrot drücken wir, I'm psycho
Bbm
Mein Prada-Anzug schneeweiß
Ebm
Sie woll'n mit mir reden, doch ich sehe kein'n
F Bbm
Nein, ich brauche kein'n, der mir den Weg zeigt
Ebm
Den Weg zeigt, mach den Weg frei
Bbm
Hol das Zeug, hau das in das Pape rein
Bbm
Marihuana
Ebm
Wenn ich bei dir bin, geht es dir besser
F Bbm
Du bist mein Marihuana
Ebm
Du rufst mich immer an, wenn du mal Stress hast
F Bbm
Du bist mein Marihuana
Ebm
Du hältst an mir fest, denn dir gefällt es
F Bbm
Du bist mein Marihuana
Bbm Ebm
Zuna! Mein Baby sieht gut aus in Dior
F
Ich hol' dir alles, was du brauchst, sag ein Wort
Bbm Ebm
Geld spielt keine Rolle, aber Zuna ist in Form
F
Lach' wieder, weil du gibst jedem Korb (brra, haha)
Bbm Ebm
Du bist schärfer als die Gun, Baby (pa-pa-pa-pa-pam)
F
White Widow in mein' Blunt, Baby (pa-pa-pa-pa-pam)
Bbm Ebm
Es liegt doch alles auf der Hand, Baby (pa-pa-pa-pa-pam)
F
Wie du schießt, macht mich an, Baby
Bbm
Wie du schießt, wie du schießt, macht mich an (ahh)
Ebm F
Nimm ein'n Zug und ich flieg' über's Land (ahh)
Bbm Ebm
Hab' genug mit Bündel über Bündel
F
Dass wir perfekt sind, gibt es mehr als tausend Gründe
End of song Play again?
Loredana - Du bist Mein (ZUNA) Tabs
NotesX
Harmony analysis
Loredana – Du bist Mein (ZUNA): key and chord analysis
The song opens on Bbm and ends on F. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm, Bbm is heard 22 times while Db never appears and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 20× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | 18× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 22× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 22× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 20× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 18× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 60 times in total; 2 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.
Chord movement
- Ebm F Dbii → V/vi Bbmiv → Viv → V ×18
- F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×17
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×2
The move to watch is Ebm → F, heard 18 times. From the Bbm side it is iv → V (iv → V: the minor side's tension builder); from the Db side it reads ii → V/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. Bbm, Ebm, F carry the song: vi–ii–V/vi relative to Db, i–iv–V relative to Bbm. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Ebm → F (ii → V/vi in Db, iv → V in Bbm): iv → V — the minor side's tension builder. Ending on F, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Loredana - Du bist Mein (ZUNA) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.