Major view
A major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G# (leading tone, pulls home)
- 4 = D (the note that leans on the 3rd)
Loredana - Kein Wort (Juju) - Chord
Key A major – F# minor Chords F#m, D, Bm, E Easy key G (capo 2)
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Key: A | Gbm | F#m
Capo: 0
F#m F#m D Bm
F#m F#m D
Miksu
Bm
Macloud, was für'n Beat! Ey!
F#m D
Immer wenn du mir sagst, "Es ist vorbei!"
Bm F#m
Glaub' ich dir kein Wort
D
Denn ich hab', was du willst und du weißt
Bm F#m
Es gibt keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m
Keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m
Wie kann man jemand so krass hassen wie ich dich?
D Bm
Du dachtst, es wird 'n Liebessong, ich brech' dir dein Genick
F#m
Du redest von den Chicks, doch sie supporten mich
D Bm
Ich geh' einfach Gold, guck, mein Erfolg – kein Ende ist in Sicht
F#m
Bitte sag mir nicht, dass du mich nicht mehr brauchst, Baby
D Bm
Ich kauf' dein Auto, deine Ehre und dein Haus, Baby
F#m
Wir wissen beide ganz genau, wie gut ich aussehe
D Bm
Mach nicht auf cool, wir beide kenn'n den Chatverlauf, Baby
F#m D
Immer wenn du mir sagst, "Es ist vorbei!"
Bm F#m
Glaub' ich dir kein Wort
D
Denn ich hab', was du willst und du weißt
Bm F#m
Es gibt keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m
Keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m
Yeah, sei dir sicher, ich bleib' eiskalt
D Bm
Auch wenn du scheiße laberst, sagst, du willst allein sein
F#m
Ich sage nichts, obwohl's mich fickt, denn ich will kein'n Streit
D Bm
Ich bin immer unterwegs, kein Teilzeit
F#m
Du weißt doch, ich bin savage, mich zu kriegen, war 'ne Challenge
D Bm
Guck mal, was ich alles manage, keine Life-Work-Balance
F#m
Junge, mach mir nicht auf teuer, nein, du weißt, es wird gefährlich
D Bm
Wenn du sagst, dass du's beenden wirst, dann bist du nicht mal ehrlich (nicht mal ehrlich)
F#m
Nein, ich brauch' nicht dein Geld, kauf' die Gucci-Tasche selbst
D Bm
Werd' gebucht, 100k, Fendi, Louis – schon bestellt
F#m
Dein Gelaber kann mich nicht mehr in dein Bett kriegen
D Bm
Du willst meine Flügel brechen, damit ich nicht wegfliege, aber
F#m D
Immer wenn du mir sagst, "Es ist vorbei!"
Bm F#m
Glaub' ich dir kein Wort
D
Denn ich hab', was du willst und du weißt
Bm F#m
Es gibt keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m
Keine zweite Chance
D Bm
Ich glaub' dir kein Woort
F#m D Bm E
End of song Play again?
Loredana - Kein Wort (Juju) Tabs
NotesX
Harmony analysis
Loredana – Kein Wort (Juju): key and chord analysis
The song opens on F#m and ends on E. Its chords belong to both A major and F#m, so every chord below is read both ways.
Minor view
F# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = D (the minor's melancholy)
- b7 = E (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F# minor side because it opens on F#m and F#m is heard 27 times while A never appears. That is an interpretation, not a rule — the same chords are just as valid seen from A major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | A | Tonic — home | A · C# · E | — |
| ii | Bm | Supertonic — prepares the dominant | B · D · F# | 25× |
| iii | C#m | Mediant — a tonic-family shade | C# · E · G# | — |
| V/vi | C# | Secondary dominant V/vi — leads to F#msecondary dominant | C# · E# · G# | — |
| IV | D | Subdominant — moves away from home | D · F# · A | 25× |
| V | E | Dominant — strongest pull home | E · G# · B | 1× |
| vi | F#m | Relative minor — the melancholy side | F# · A · C# | 27× |
| vii° | G#dim | Leading-tone chord — tension | G# · B · D | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | F#m | Tonic — home | F# · A · C# | 27× |
| ii° | G#dim | Supertonic — prepares the dominant | G# · B · D | — |
| III | A | Relative major — the bright side | A · C# · E | — |
| iv | Bm | Subdominant — moves away from home | B · D · F# | 25× |
| v | C#m | Minor dominant — soft pull | C# · E · G# | — |
| V | C# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C# · E# · G# | — |
| VI | D | Submediant — warm colour | D · F# · A | 25× |
| VII | E | Subtonic — steps back to the tonic | E · G# · B | 1× |
Analysis
The key pair is A major and its relative F# minor (3 sharps). 4 different chords appear 78 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bm F#m Aii → vi F#miv → iminor plagal ×24
- Bm E Aii → Vii → V F#miv → VII ×1
The move to watch is Bm → F#m, heard 24 times. From the F#m side it is iv → i (minor plagal: deep and melancholic); from the A side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With A major shapes
- No capo — open A shapes
- Capo 2 + G shapes
- Capo 5 + E shapes
With F# minor shapes
- Capo 2 + Em shapes
- Capo 4 + Dm shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 3 semitones up
The song's harmonic story
The first chord is F#m; the ear learns where home is within a second. The chords that keep coming back are F#m, D, Bm, E; read them as vi–IV–ii–V in A or i–VI–iv–VII in F#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → F#m (ii → vi in A, iv → i in F#m): minor plagal — deep and melancholic. The final chord is E; the ear comes to rest in A.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Loredana - Kein Wort (Juju) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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