Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Kahraman Deniz - Boş İstasyonlar - Chord
Key Eb major – C minor Chords Cm, Ab, Eb, Gm Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm Ab Eb Gm
Cm Ab Eb Gm
Ben de saklı defineyim, buluncaya dek ilerlerim
Cm Ab Eb Gm
Neler görür de gözlerim, umursasam çok içerlerim
Ab Cm Eb
Kaçtım senden, sensizlikten
Gm
Her şey saçma, ne nedir
Ab Cm Eb
Yol yordam bilmem, kayboldum
Gm
Özgürlük buna denir
Cm Ab
Sevemeyen insanlara ya da yeni istisnalara
Eb
Beni alabora eden o rüyalara
Gm
Artık katlanacak gücüm yok
Cm Ab
Gülemeyen insanlara, dönemem canım, İstanbullara
Eb Gm
Sensiz boş istasyonlara artık uğrayacak gücüm yok
Cm Ab Eb Gm
Çok uzakta bir yerdeyim, yıkıldı tüm değerlerim
Cm Ab Eb Gm
Belki şimdi gelmenin tam zamanı, beklerim
Ab Cm Eb
Seni öldüren ve bizi böldüren, kötüyü gördüren
Gm
Ne varsa at da gel bana
Ab Cm Eb Gm
Seni durduran, yasak koyduran, içindeki çocuğu unutturan
Cm
Ne varsa yık da gel
Cm Ab
Sevemeyen insanlara ya da yeni istisnalara
Eb
Beni alabora eden o rüyalara
Gm
Artık katlanacak gücüm yok
Cm Ab
Gülemeyen insanlara, dönemem canım, İstanbullara
Eb Gm
Sensiz boş istasyonlara artık uğrayacak gücüm yok
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Kahraman Deniz - Boş İstasyonlar Tabs
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Harmony analysis
Kahraman Deniz – Boş İstasyonlar: key and chord analysis
The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 14 times against 13 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 13× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 13× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 13× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 14× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 14× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 13× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 13× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 13× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 53 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Eb EbIV → Iplagal cadence CmVI → III ×9
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×8
- Ab Cm EbIV → vi CmVI → iVI → i ×4
The move to watch is Ab → Eb, heard 9 times. From the Cm side it is VI → III; from the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Ab, Eb, Gm; read them as vi–IV–I–iii in Eb or i–VI–III–v in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. The final chord is Gm; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Boş İstasyonlar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kahraman DenizMusic: Kahraman DenizArrangement: Emre Kantaşlı
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