Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Grup Gündoğarken - Aşık Oluyorum Eyvah - Chord
Key G major – E minor Chords G, D7, Am7, Bm7, E7, Em, Am Easy key C (capo 7)
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Key: G | Em
Capo: 0
G Bm7
Bir ses var içimde
Am7 D7
Seni fısıldar gibi
G Bm7
Nerden çıktın karşıma
Am7 D7
Yine neler başlar gibi
Em Bm7
Hem güzel hem değil
Am D7
Gözümde yaşlar gibi
Bm7 E7 Am7 D7
Yine geceleeer ağır olacak
G
Sabaha kadar
Bm7 E7 Am7 D7
Hayallerimiz gerçek olacak
G
Nereye kadar
G Am7
Aşık oluyorum eyvah
D7 G
Yerimde duramıyorum
Am7
Bile bile yanıyorum eyvah
D7 G
Kendimi tutamıyorum
Bm7 E7 Am7 D7
Yine geceleeer ağır olacak
G
Sabaha kadar
G Bm7
Eski bir hikayeyi
Am7 D7
Dinliyormuş gibiyim
G Bm7
Geçtiğim yollardan
Am7 D7
Dönüyormuş gibiyim
Em Bm7
Ben bu işin sonunu
Am7 D7
Biliyormuş gibiyim
G Am7
Aşık oluyorum eyvah
D7 G
Yerimde duramıyorum
Am7
Bile bile yanıyorum eyvah
D7 G
Kendimi tutamıyorum
End of song Play again?
Grup Gündoğarken - Aşık Oluyorum Eyvah Tabs
NotesX
Harmony analysis
Grup Gündoğarken – Aşık Oluyorum Eyvah: key and chord analysis
The song opens on G and ends on G. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it both starts and finishes on G and G is heard 13 times against 2 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 13× |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 12× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 1× |
| iii7 | Bm7 | Mediant — a tonic-family shade | B · D · F# · A | 9× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | — |
| V7 | D7 | Dominant — strongest pull home | D · F# · A · C | 13× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 2× |
| V7/ii | E7 | Secondary dominant V/ii — leads to Amsecondary dominant | E · G# · B · D | 3× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 2× |
| V7/iv | E7 | Secondary dominant V/iv — leads to Amsecondary dominant | E · G# · B · D | 3× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 13× |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 12× |
| iv | Am | Subdominant — moves away from home | A · C · E | 1× |
| v7 | Bm7 | Minor dominant — soft pull | B · D · F# · A | 9× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | — |
| VII7 | D7 | Subtonic — steps back to the tonic | D · F# · A · C | 13× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 7 different chords appear 53 times in total; 6 of them sit naturally inside the shared scale. E7 acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Am7 D7 Gii7 → V7ii → V Emiv7 → VII7 ×12
- D7 G GV7 → Iauthentic cadence EmVII7 → III ×10
- E7 Am7 GV7/ii → ii7secondary resolution EmV7/iv → iv7 ×3
- D7 Em GV7 → videceptive cadence EmVII7 → iAeolian arrival ×2
- Am D7 Gii → V7ii → V Emiv → VII7 ×1
The move to watch is Am7 → D7, heard 12 times. From the G side it reads ii7 → V7 (ii → V: the classic preparation of the dominant); from the Em side it is iv7 → VII7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over D7, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
Starting on G, the song gives away its key from the very first bar. The backbone is G, D7, Am7, Bm7 — I–V7–ii7–iii7 from the G side, III–VII7–iv7–v7 from the Em side. E7 adds a moment of surprise: secondary dominant V/ii — leads to Am. Keep an ear on Am7 → D7 (ii7 → V7 in G, iv7 → VII7 in Em): ii → V — the classic preparation of the dominant. It closes on G, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Grup Gündoğarken - Aşık Oluyorum Eyvah Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: İlhan ŞeşenMusic: İlhan Şeşen
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