Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Enrique Iglesias - Bailando (Descemer Bueno Gente De Zona) - Chord
Key G major – E minor Chords Em, C, D, G, Am Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Em C G D
Em C
Yo te miro, se me corta la respiración
G D
Cuando tu me miras se me sube el corazón
(Me palpita lento el corazon)
Em C
Y en silencio tu mirada dice mil palabras
G D
La noche en la que te suplico que no salga el sol
Am C
(Bailando, bailando, bailando, bailando)
Em
Tu cuerpo y el mio llenando el vacío
D
Subiendo y bajando (subiendo y bajando)
Am C
(Bailando, bailando, bailando, bailando)
Em
Ese fuego por dentro me va enloqueciendo
D
Me va saturando
Em
Con tu física y tu química también tu anatomía
C
La cerveza y el tequila y tu boca con la mía
G D
Ya no puedo mas (ya no puedo mas) Ya no puedo mas (ya no puedo mas)
Em
Con esta melodía, tu color, tu fantasía
C
Con tu filosofía mi cabeza esta vacía
G
Y ya no puedo mas (ya no puedo mas)
D
Ya no puedo mas (ya no puedo mas)
Em
Yo quiero estar contigo, vivir contigo
C
Bailar contigo, tener contigo
G
Una noche loca (una noche loca)
D
ay besar tu boca (y besar tu boca)
Em
Yo quiero estar contigo, vivir contigo
C G
Bailar contigo, tener contigo una noche loca
D
Con tremenda nota
[Armonización: Randy Marcon]
Em C G D
(Ooooh, ooooh, ooooh, ooooh)
Em C
Tu me miras y me llevas a otra dimensión
(Estoy en otra dimensión)
G D
Tus latidos aceleran a mi corazón
(Tus latidos aceleran a mi corazón)
Em C
Que ironía del destino no poder tocarte
Abrazarte
G D
y sentir la magia de tu olor
Am C
(Bailando, bailando, bailando, bailando)
Em
Tu cuerpo y el mio llenando el vacío
D
Subiendo y bajando (subiendo y bajando)
Am C
(Bailando, bailando, bailando, bailando)
Em
Ese fuego por dentro me va enloqueciendo
D
Me va saturando
Em
Con tu física y tu química también tu anatomía
C
La cerveza y el tequila y tu boca con la mía
G D
Ya no puedo mas (ya no puedo mas) Ya no puedo mas (ya no puedo mas)
Em
Con esta melodía, tu color, tu fantasía
C
Con tu filosofía mi cabeza esta vacía
G
Y ya no puedo mas (ya no puedo mas)
D
Ya no puedo mas (ya no puedo mas)
Em
Yo quiero estar contigo, vivir contigo
C
Bailar contigo, tener contigo
G
Una noche loca (una noche loca)
D
ay besar tu boca (y besar tu boca)
Em
Yo quiero estar contigo, vivir contigo
C G
Bailar contigo, tener contigo una noche loca
D
Con tremenda nota
[Armonización: Randy Marcon]
Em C G D
(Ooooh, ooooh, ooooh, ooooh
Em C G D
Ooooh, ooooh, ooooh, ooooh
Em C
Ooooh bailando amor ooooh
G D
Bailando amor ooooh es que se me va el dolor
End of song Play again?
Enrique Iglesias - Bailando (Descemer Bueno Gente De Zona) Tabs
NotesX
Harmony analysis
Enrique Iglesias – Bailando (Descemer Bueno Gente De Zona): key and chord analysis
The song opens on Em and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 21 times against 17 for G. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 17× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 4× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 21× |
| V | D | Dominant — strongest pull home | D · F# · A | 21× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 21× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 21× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 17× |
| iv | Am | Subdominant — moves away from home | A · C · E | 4× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 21× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 21× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 84 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C G GIV → Iplagal cadence EmVI → III ×17
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×16
- C Em GIV → vi EmVI → iVI → i ×4
The move to watch is C → G, heard 17 times. From the Em side it is VI → III; from the G side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Em lays a solid floor for everything that follows. The chords that keep coming back are Em, C, D, G; read them as vi–IV–V–I in G or i–VI–VII–III in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. It closes on D, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Enrique Iglesias - Bailando (Descemer Bueno Gente De Zona) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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