Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Grup Gündoğarken - Sarmaş Dolaş - Chord
Key Db major – Bb minor Chords Bbm, F, Ebm, Cdim, Db, Ab Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Cdim Db Ebm Bbm F Bbm F Bbm
Bbm Ebm
Bir güneş ılıklığı vurunca kumsala
Ab Db
Yaşıyorum seni olduğunca
Bbm Cdim
Belki bir kum tanesi ellerimde
F
Avuçlarımda
Cdim Db
Saaaarmaş dolaş kollarımda
Bbm
Olmanı bekleyemem
F Bbm F Bbm
Çünkü yoksun artık sen
Ebm
Ben kendime yeter oldum
Bbm
Başka bir ben istemem
F Bbm F Bbm
Çünkü çoksun artık sen
Ebm Bbm F Bbm F Bbm
Bbm Ebm
Yürümek saatlerce yağmurla kolkola
Ab Db
Söyleşmek baharda düşen yaprakla
Bbm Cdim
Sevgiyi anlatmak yeşil çimene
F
Doğaya
Cdim Db
Saaaarmaş dolaş kollarımda
Bbm
Olmanı bekleyemem
F Bbm F Bbm
Çünkü yoksun artık sen
Ebm
Ben kendime yeter oldum
Bbm
Başka bir ben istemem
F Bbm F Bbm
Çünkü çoksun artık sen
Ebm Bbm F Bbm F Bbm
Bbm Ebm
Silmek nedense sileni
Daha bir kolay
Ab Db
Yarım kalsa bile sevgimiz
Bbm Cdim
Sessiz bir çığlık olacak ayrılık
F
Yaşıyorsak ikimiz
End of song Play again?
Grup Gündoğarken - Sarmaş Dolaş Tabs
NotesX
Harmony analysis
Grup Gündoğarken – Sarmaş Dolaş: key and chord analysis
The song opens on Cdim and ends on F. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because Bbm is heard 27 times against 6 for Db and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 6× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 8× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | 17× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 3× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 27× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | 6× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 27× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | 6× |
| III | Db | Relative major — the bright side | Db · F · Ab | 6× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 8× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 17× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 3× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 67 times in total; 5 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.
Chord movement
- F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×14
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×5
- Ab Db DbV → Iauthentic cadence BbmVII → III ×3
- Ebm Ab Dbii → Vii → V Bbmiv → VII ×3
- Cdim F Dbvii° → V/vi Bbmii° → Vii° → V ×3
The move to watch is F → Bbm, heard 14 times. From the Bbm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Db side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Cdim, the song gives away its key from the very first bar. Bbm, F, Ebm, Cdim carry the song: vi–V/vi–ii–vii° relative to Db, i–V–iv–ii° relative to Bbm. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → Bbm (V/vi → vi in Db, V → i in Bbm): harmonic-minor cadence — the major V resolves dramatically. The final chord is F; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Grup Gündoğarken - Sarmaş Dolaş Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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