Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Sagopa Kajmer - Galiba - Chord
Key Eb major – C minor Chords Gm, Cm, G# Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm Gm
Bu ikilemlerin arkasında çok şey var
Hiç bir şey bir neden değil ki
Ama hak ettiğimi düşündüğümde hiç de adil değilki
Sen nesin ve kimsin? Sal yaralı balıkları gitsin, misina artık çok gergin
İster istemez her şeyim sende rehin
Ne yanlış bir karar masası, sen ne kötü bir hakimsin
Bu ne zor bi dosya, sen ne kolay bir kararsın
Senden görünmüyor önüm, meğer ne kolaymış fikri ölüm
G# Gm
Hep anlatırdı sevdiklerim; "böyleyken böyle olur"
Söz söylenir göz dolar, Haziranlar Şubat olur
İhtimallerimi düşünürüm ve ihmallerimi yoklarım
İçimden ayrılık şarkılar ı bestelerim ve söylerim
Cm
Ben deli dolu biriyim, ama şu an sadece doluyum, kırılmış bir sağ kolum, gönlü bir hayli kırık, yapayalnız, bomboş bir yolum
Gm
Beni arayan orda bulur, sözün bittiği yerde bekliyorum
G#
Canım malum, yarım eksik, bu kadar mı kolay çeker insan sevdiğinin şakaklarına tetik
Gm
Sanki sen bir avcı, bense infilak eden keklik, vakit durdu, bu acı beni boğdu, bittim şimdilik
Cm Gm
Ama galiba, bütün bu olanlara dayanamam, ama hazırım
G#
Sen giderken adımlarını sayarım
Gm
Heyhat, ne yazık seni yanlış tanıdım sanırım
Cm Gm
Üzerime yıkılan yüksek apartmanlar, bana söylenmiş gibi çalan şarkılar
Bitmeyen derin hasret ve geçmeyen zaman
En dibini ancak senin bildiğin o dipsiz kuyu, defol git şimdi rahat uyu
Ya biriktirdiğim onca yarınlık, ben yarımken yarınla bugün arasında nedir farklılık
Senden varan güller artık rayihasız ben uslu çocuk sen arsız
Sensiz yerim yurdum yokmuş gibi ben diyarsız
G#
Herkes bana bakıyormuş gibi, ama her şey normal, sorulan sorular en çok acı veren, her yerden sual
Gm
Ben bir aç, sense tok misal, sen olmadan ne işe yarar en güzel kumsal, ne olur gitme kal
Cm
Bir tek özlemleri deviremedim şu ince bileklerimle, geriye kalan herşeyi yıktım, fena yaptım
Gm
Ve en güzeli unuttum, defalarca tekrarladım kendimi, her yeni gün için ama her yeni gün eskidi
G#
Yarın baktım ki hep ordayım, aynı noktalardayım, ortada kalmış ortalık kişiyim
Gm
Sen şimdi yoluna bak, ben adımlarını sayarım, bütün bu olanlara dayanamam, ama madem öyle hazırım
Cm Gm
Ama galiba, bütün bu olanlara dayanamam, ama hazırım
G#
Sen giderken adımlarını sayarım
Gm
Heyhat, ne yazık seni yanlış tanıdım sanırım
End of song Play again?
Sagopa Kajmer - Galiba Tabs
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Harmony analysis
Sagopa Kajmer – Galiba: key and chord analysis
The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 6 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 12× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | G# | Subdominant — moves away from home | G# · B# · D# | 6× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 6× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 6× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 12× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | G# | Submediant — warm colour | G# · B# · D# | 6× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 24 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×5
The move to watch is Gm → Cm, heard 5 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over G#, land on G#, B#, D# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Cm, G#; read them as iii–vi–IV in Eb or v–i–VI in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. Ending on Gm, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sagopa Kajmer - Galiba Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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