Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Sagopa Kajmer - Vasiyet - Chord
Key D major – B minor Chords Bm, Em, G, A, F#m Easy key C (capo 2)
No ratings yet
or your user informations
Make it yours
Text size
Key: D | Bm
Capo: 0
Bm
Fecre dal, fedai cembiyeleri ile cenkte kaldı
Surlarımda kahpe uykuyadaldı
Suretim şarap misali eskidikce değeri arttı
Serserim, serim giyotin altı
Kalbimde senede kaç kez birisi idam aldı ha!?
Em
Şaibelerim şairimdi, şakacı mecburi sıfattı
G
Rıhtımlarımdan gemiler kalktı
A
Yolcular ağırladım ağır ağır revanlarım
F#m
Güneştim bir ara yağmur oldum
Bm
Kendi deryalarımda kendimi zorla boğdum
Bm
Spekülatif düşlerin spazmı var
Stagflasyon önlemliydi
Sözümü kesme girişiminde bulunan herkeseydi radikal argolar
Söyle ne zaman bitti aşka dair tangolar?
Her işte bir racon var
Haydi egoma sponsor ol, ecemle ecele giderim
Rabbenamı bir hiç uğru tersledim
Of haşa! Bir dilekti vurgun oldu
Em
Votka Redbull ciğere doldu, sagopa nadir sarhoş oldu
Cemre geç de olsa düştü
G A
Kelimelerdi kerimelere ve kertelerime münzeviydim
F#m
Dünveyi senaryolarda "RAP" denen bahirdim
Bm
Münasebetsiz küfrü bastım, onurun canını yaktım
Altı senedir aklındayım, çekemedin yo farkındayım
Em
RAPimtraksın, sen reel değilsin
G
Yazdıklarına sadık olamadın, söyle kaç eşlisin?
A F#m Bm
Muaf bıraktım seni ve kitlelerini, sarfiyatlarım fiyatsız
Anonim oldu haykırışlarım
Bm Em
Az önce doğdum, halatım yirmi yedi boğum
Sele gitti Ağustosum
G
Vasiyet etmek istedim şarkılarımı kızıma
A F#m
Hep sonunda kendimi vurdum
Bm
Şarjörü doldurdum
Bm
Koştuğum bu yolda yarımı sonladım ve kocaman adama döndüm
Sanma çok telaşlıyım, durgunum biraz, solgunum yüzüm, bitkinim ufaklık
Sen de gel peşimden amma çok çalış
Duvarda yazmaz her kural
Yumruk yersin yılma kalk, dayan
Bu abi yerle çok sevişti
Düşmek hiç ayıp değil, kalkmasını bil
Ve acele et şu gözyaşını sil
Sagopa idol oldu bak dedim babam, ben dayandım
Buraya kadar geldim 27 adım
Em
Takma kendimden can sıkıntım
G
Önceden beridir bir ölüm takıntım
Bunu da yüzüme vurmasınlar
A F#m Bm
Sade evde yüzüm asık, dışarda sempatik takıldım
Bm Em
Az önce doğdum, halatım yirmi yedi boğum
Sele gitti Ağustosum
G
Vasiyet etmek istedim şarkılarımı kızıma
A F#m
Hep sonunda kendimi vurdum
Bm
Şarjörü doldurdum
End of song Play again?
Sagopa Kajmer - Vasiyet Tabs
NotesX
Harmony analysis
Sagopa Kajmer – Vasiyet: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it both starts and finishes on Bm and Bm is heard 11 times while D never appears. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 6× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 6× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 6× |
| V | A | Dominant — strongest pull home | A · C# · E | 6× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 11× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 11× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | 6× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 6× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 6× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 6× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 5 different chords appear 35 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G A DIV → VIV → V BmVI → VIIVI → VII ×6
- F#m Bm Diii → vi Bmv → inatural-minor cadence ×6
The move to watch is G → A, heard 6 times. From the Bm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the D side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Bm; the ear learns where home is within a second. The backbone is Bm, Em, G, A — vi–ii–IV–V from the D side, i–iv–VI–VII from the Bm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → A (IV → V in D, VI → VII in Bm): VI → VII — the rising step that heads for the tonic. It closes on Bm, letting the Bm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sagopa Kajmer - Vasiyet Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Sagopa KajmerMusic: Sagopa Kajmer
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.