Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Ab, Cm, Bb, Gm, Eb, C, Dm, F … Easy key G
Eb Cm Gm Ab
Eb Cm Gm Ab
I found a guy, told me I was a star
Eb Cm Gm Ab
He held the door, held my hand in the dark
Cm Gm Ab
And he's perfect on paper but he's lying to my face
Cm Gm Ab
Does he think that I'm the kinda girl who needs to be saved
Eb Cm Gm Ab
Eb Cm Gm Ab
And there's one more boy he's from my past
Eb Cm Gm Ab
We fell in love but it didn't last
Cm Gm Ab
'Cause the second I figure it out he pushes me away
Cm Gm Ab
And I won't fight for love if you won't meet me halfway
Bb Bb7
And I say that I'm through but this song's still for you
Ab Bb Cm
All I want is love that lasts
Ab
Is all I want too much to ask
Bb Cm
Is it something wrong with me
Ab Bb Cm
All I want is a good guy
Ab
Are my expectations far too high
Bb Eb
Try my best but what can I say
Cm Ab
All I have is myself at the end of the day
Bb Eb Eb Cm Gm Ab
Shouldn't that be enough for me
Eb Bb Ab
Ooh ooh ooh
Eb Cm
And I miss the days
Gm Ab
When I was young and naive
Eb Cm Gm Ab
I thought the perfect guy would come and find me
Bb Bb7 C
Now happy ever after it don't come so easily
Bb C Dm
All I want is love that lasts
Bb
Is all I want too much to ask
C Dm
Is it something wrong with me
Bb C Dm
All I want is a good guy
Bb
Are my expectations far too high
C F
Try my best but what can I say
Dm Bb
All I have is myself at the end of the day
C F F Dm Am Bb C F
And all I want is for that to be okay
End of song Play again?
Harmony analysis
The song opens on Eb and ends on F. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor because it opens on Eb and Cm is heard 17 times against 12 for Eb. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 12× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| V/V | F | Secondary dominant V/V — leads to Bbsecondary dominant | F · A · C | 4× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 13× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 19× |
| #iv | Am | Chromatic colour chordoutside the key | A · C · E | 1× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 14× |
| V7 | Bb7 | Dominant — strongest pull home | Bb · D · F · Ab | 2× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 17× |
| V/ii | C | Secondary dominant V/ii — leads to Fmsecondary dominant | C · E · G | 7× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| vii | Dm | Chromatic colour chordoutside the key | D · F · A | 5× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 17× |
| V/iv | C | Secondary dominant V/iv — leads to Fmsecondary dominant | C · E · G | 7× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| ii | Dm | Chromatic colour chordoutside the key | D · F · A | 5× |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 12× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| IV | F | Major IV — Dorian / melodic-minor colourmodal colour | F · A · C | 4× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 13× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 19× |
| #vi | Am | Chromatic colour chordoutside the key | A · C · E | 1× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 14× |
| VII7 | Bb7 | Subtonic — steps back to the tonic | Bb · D · F · Ab | 2× |
The key pair is Eb major and its relative C minor (3 flats). 10 different chords appear 94 times in total; 6 of them sit naturally inside the shared scale. C, F act as secondary dominants, briefly pointing at another chord of the key.
The move to watch is Ab → Eb, heard 8 times. From the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Cm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Eb lays a solid floor for everything that follows. The chords that keep coming back are Ab, Cm, Bb, Gm; read them as IV–vi–V–iii in Eb or VI–i–VII–v in Cm. C adds a moment of surprise: secondary dominant V/ii — leads to Fm. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. The final chord is F; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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