Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Bb5, Eb5, Ab5, C5, F5 Easy key G
C5
Ooh I'm a mess right now
Bb5
Inside out
Eb5
Searching for a sweet surrender
Ab5 Eb5 F5
But this is not the end
C5
I can't work it out
Bb5
How
Eb5
Going through the motions
Ab5 Bb5
Going through us
Ab5
And oh I've known it for the
Eb5
longest time
Bb5 Ab5
And all of my hopes all my words
Eb5
Are all over written on the signs
Bb5
But you're on my road walking me
Ab5
home
Home, home
C5 Bb5
See the flames inside my eyes
Ab5
It burns so bright I wanna feel
Eb5 F5
your love, ohoh
C5 Bb5
Easy baby maybe I'm a liar
Ab5
But for tonight I wanna fall in
Eb5
love
F5 Ab5
And put your faith in my y stomach
C5
I messed up this time
Bb5
Late last night
Eb5
Drinking to suppress devotion
Ab5 Eb5 F5
With fingers intertwined
C5
I can't shake this feeling
Bb5
No ow
Eb5
We're going through the motions
Ab5 Bb5
Hopin' you'd stop
Ab5
And though I’ve only caused you pain
Eb5 Bb5
You know, but all of my words
Ab5
Will always be low
Eb5
Although all the lies we spoke
Bb5
When you’re my road walking me
Ab5
home
Home, home, home, home
C5 Bb5
See the flames inside my eyes
Ab5
It burns so bright I wanna feel
Eb5 F5
your love, ohoh
C5 Bb5
Easy baby maybe I'm a liar
Ab5
But for tonight I wanna fall in
Eb5
love
F5 Ab5
And put your faith in my y stomach
C5 Eb5 Bb5 Ab5 Eb5
And for how long I lo ove my
Bb5 C5
lover
C5 Eb5 Bb5 Ab5 Eb5 Bb5 C5
For how long I lo ove my lover
C5 Eb5 Bb5
And now, for how long, long I
Ab5 Eb5 Bb5 C5
lo ove my lover
Now, now, for how long, long I
lo ove my lover
For how long, I lo ove my lover
Now now, for how long, long I lo ove my lover
End of song Play again?
Harmony analysis
The song opens on C5 and ends on C5. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb major side because Eb is heard 20 times while Cm never appears. That is an interpretation, not a rule — hearing the same chords from C minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb5 | Tonic — home | Eb · Bb | 20× |
| I | Eb | Tonic — home | Eb · G · Bb | — |
| II | F5 | Supertonic — prepares the dominant | F · C | 6× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab5 | Subdominant — moves away from home | Ab · Eb | 19× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| V | Bb5 | Dominant — strongest pull home | Bb · F | 20× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| VI | C5 | Relative minor — the melancholy side | C · G | 14× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C5 | Tonic — home | C · G | 14× |
| i | Cm | Tonic — home | C · Eb · G | — |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb5 | Relative major — the bright side | Eb · Bb | 20× |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| IV | F5 | Subdominant — moves away from home | F · C | 6× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab5 | Submediant — warm colour | Ab · Eb | 19× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| VII | Bb5 | Subtonic — steps back to the tonic | Bb · F | 20× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 79 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab5 → Eb5, heard 13 times. From the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Cm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on C5, the song gives away its key from the very first bar. Bb5, Eb5, Ab5, C5 carry the song: V–I–IV–VI relative to Eb, VII–III–VI–I relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab5 → Eb5 (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. It closes on C5, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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