Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Key B major – G# minor Chords B5, E9, Gb11, Abm7, Gb4 Easy key G (capo 4)
E9 B5
It's just another night
Abm7 Gb4 E9
And I'm staaaaaring at the moon
B5
I saw a shooting star
Gb11
And thought of you
E9 B5
I sang a lullaby
Abm7 Gb4 E9
By the waaaaaterrrrside and knew
B5
If you were here
Gb11
I'd sing to you
E9 B5
You're on the other side
Abm7 Gb4 E9
As the skyyyyyline splits in two
B5 Gb11
I'm miles away from seeing you
E9 B5
I can see the stars
Abm7 Gb4 E9
From Ame____rica
B5 Gb11
I wonder, do you see them, too
B5
So open your eyes and see
Gb11
The way our horizons meet
Abm7
And all of the lights will lead
E9 Gb11
Into the night with me
B5
And I know these scars will bleed
Gb11
But both of our hearts believe
Abm7 E9 B5 Gb11 B5
All of these stars will guide us home
E9 B5
I can hear your heart
Abm7 Gb4 E9
On the raaaaadiiiiio beat
B5
They're playing 'Chasing Cars'
Gb11
And I thought of us
E9 B5
Back to the time
Abm7 Gb4 E9
You were lyyyyyying next to me
B5 Gb11
I looked across and fell in love
E9 B5
So I took your hand
Abm7 Gb4 E9
Back through lamp lit streets I knew
B5 Gb11
Everything led back to you
E9 B5
So you can see the stars
Abm7 Gb4 E9
Over Amsssterrrdam
B5
You're the song my heart
Gb11
Is Beating to
B5
So open your eyes and see
Gb11
The way our horizons meet
Abm7
And all of the lights will lead
E9 Gb11
Into the night with me
B5
And I know these scars will bleed
Gb11
But both of our hearts believe
Abm7 E9 B5 Gb11
All of these stars will guide us home
E9 Gb11 Abm7 B5
And, oh, I know
E9 Gb11 B5
And, oh
E9 B5
I can see the stars
Abm7 Gb4 E9
From Ameeeeerica
End of song Play again?
Harmony analysis
The song opens on E9 and ends on E9. Its chords belong to both B major and G#m, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the B major side because B is heard 26 times against 14 for G#m. That is an interpretation, not a rule — hearing the same chords from G# minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B5 | Tonic — home | B · F# | 26× |
| I | B | Tonic — home | B · D# · F# | — |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | — |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | — |
| V/vi | D# | Secondary dominant V/vi — leads to Abmsecondary dominant | D# · G · A# | — |
| IV7 | E9 | Chromatic colour chordoutside the key | E · G# · B · D · F# | 24× |
| V7 | Gb11 | Dominant — strongest pull home | Gb · Bb · Db · Fb · Cb | 18× |
| V | Gb4 | Dominant — strongest pull home | Gb · Bb · Db | 9× |
| vi7 | Abm7 | Relative minor — the melancholy side | Ab · Cb · Eb · Gb | 14× |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Abm7 | Tonic — home | Ab · Cb · Eb · Gb | 14× |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B5 | Relative major — the bright side | B · F# | 26× |
| III | B | Relative major — the bright side | B · D# · F# | — |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | — |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | — |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI7 | E9 | Chromatic colour chordoutside the key | E · G# · B · D · F# | 24× |
| VII7 | Gb11 | Subtonic — steps back to the tonic | Gb · Bb · Db · Fb · Cb | 18× |
| VII | Gb4 | Subtonic — steps back to the tonic | Gb · Bb · Db | 9× |
The key pair is B major and its relative G# minor (5 sharps). 5 different chords appear 91 times in total; 4 of them sit naturally inside the shared scale. E9 step outside the scale as colour chords.
The move to watch is E9 → B5, heard 19 times. From the B side it reads IV7 → I (plagal cadence: the soft 'amen' ending); from the G#m side it is VI7 → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening E9 lays a solid floor for everything that follows. B5, E9, Gb11, Abm7 carry the song: I–IV7–V7–vi7 relative to B, III–VI7–VII7–i7 relative to G#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on E9 → B5 (IV7 → I in B, VI7 → III in G#m): plagal cadence — the soft 'amen' ending. Ending on E9, the song seals B as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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