Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Evrencan Gündüz - Sen Beni Yine - Chord
Key Ab major – F minor Chords Fm, C, Bbm, Db, E, Eb, D Easy key C
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Key: Ab | Fm
Capo: 0
Bbm Fm Bbm Fm Db C Fm
Fm Bbm C Fm Db C Fm
İlk başta çok tatlıydın 5.aya kadar, sonra gerçek yüzünü gördüm
Bbm C Fm Db C Fm
Melek sandığım şeytanın maskesi düşünce, şaşkına döndüm
Bbm C Fm E Eb D Db C
Lan ne oldu buna, yapma kardeş yapma
Bbm Fm Bbm Fm
Sen beni yine deli ettin, sonra da yine sevdirdin
Db C Fm
Bile bile yenildim kendime
Bbm Fm Bbm Fm
Sen beni yine kandırdın, sabredip sana katlandım
Db C Fm
Sen sağ gösterip, soldan çaktın
Bbm Fm Bbm Fm Db C Fm
Fm C Bbm C Fm
Biz senle tanıştık, yazın bir sahilde, düşüncelerimiz aynıydı senle
C Db C
Sonra ne olduysa oldu, nedense başa döndü yine hikaye
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Evrencan Gündüz - Sen Beni Yine Tabs
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Harmony analysis
Evrencan Gündüz – Sen Beni Yine: key and chord analysis
The song opens on Bbm and ends on C. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because Fm is heard 20 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 12× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 14× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 8× |
| #IV | D | Chromatic colour chordoutside the key | D · F# · A | 1× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 1× |
| bVI | E | Borrowed from the parallel minorborrowed chord | E · G# · B | 1× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 20× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 20× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 12× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 14× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 8× |
| #VI | D | Chromatic colour chordoutside the key | D · F# · A | 1× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 1× |
| #VII | E | Chromatic colour chordoutside the key | E · G# · B | 1× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 57 times in total; 4 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm. E is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×10
- Bbm Fm Abii → vi Fmiv → iminor plagal ×8
- Bbm C Abii → V/vi Fmiv → Viv → V ×4
The move to watch is C → Fm, heard 10 times. From the Fm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Ab side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
- On E, follow the chord's notes (E · G# · B) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. Fm, C, Bbm, Db carry the song: vi–V/vi–ii–IV relative to Ab, i–V–iv–VI relative to Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on C → Fm (V/vi → vi in Ab, V → i in Fm): harmonic-minor cadence — the major V resolves dramatically. Ending on C, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Evrencan Gündüz - Sen Beni Yine Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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