Taylor Swift - Wildest Dreams - Chord

Key Ab major – F minor Chords C, D, G, Am, Em Difficulty already in its easiest key

Add to Repertoire

No ratings yet

or your user informations

Capo 0

C  Em  D
C  Em  D

         C                     Em
He said let's get out of this town
                  D
Drive out of the city, away from the crowds
           C                    Em
I thought heaven can't help me now
                 D                                C
Nothing lasts forever, but this is gonna take me down
                  Em
He's so tall, and handsome as hell
D
 He's so bad but he does it so well
C                 Em              D
I can see the end as it begins my one condition is

 G                   D
Say you'll remember me
               Am                         C
Standing in a nice dress, staring at the sunset babe
 G                  D
Red lips and rosy cheeks
                  Am                  C
Say you'll see me again even if it's just in your
 G         D   Am  C
Wildest dreams
 G         D   Am  C
Wildest dreams

       C                         Em
I say no one has to know what we do
                     D
His hands are in my hair, his clothes are in my room
          C                  Em                     D
And his voice is a familiar sound, nothing lasts forever
                          C
But this is getting good now
                   Em
He's so tall, and handsome as hell
D
 He's so bad but he does it so well
C                       Em
 And when we've had our very last kiss
    D
My last request is

 G                   D
Say you'll remember me
               Am                         C
Standing in a nice dress, staring at the sunset babe
 G                  D
Red lips and rosy cheeks
                  Am                  C
Say you'll see me again even if it's just in your
 G         D   Am  C
Wildest dreams
 G         D   Am  C
Wildest dreams

     G
You see me in hindsight
 D
Tangled up with you all night
 Am       C
Burn it down
 G
Some day when you leave me
D                     Am         C
I bet these memories follow you around
     G
You see me in hindsight
 D
Tangled up with you all night
 Am      C
Burn it down
 G
Some day when you leave me
D                     Am           C
I bet these memories follow you around

 G                   D
Say you'll remember me
               Am                         C
Standing in a nice dress, staring at the sunset babe
 G                  D
Red lips and rosy cheeks
                  Am                  C
Say you'll see me again even if it's just pretend

 G                   D
Say you'll remember me
               Am                         C
Standing in a nice dress, staring at the sunset babe
 G                  D
Red lips and rosy cheeks
                  Am                  C
Say you'll see me again even if it's just in your 

 G         D   Am  C
Wildest dreams
 G         D   Am  C
Wildest dreams

                          G         D    Am  C
Even if it's just in your wildest dreams
         G         D   Am  C
In your wildest dreams

End of song Play again?

Taylor Swift - Wildest Dreams Tabs

NotesX

Harmony analysis

Taylor Swift – Wildest Dreams: key and chord analysis

The song opens on C and ends on C. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)
#7 = E (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
bii	Am	Chromatic colour chordoutside the key	A · C · E	20×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
III	C	Chromatic colour chordoutside the key	C · E · G	30×
IV	Db	Subdominant — moves away from home	Db · F · Ab	—
#IV	D	Chromatic colour chordoutside the key	D · F# · A	30×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
bvi	Em	Chromatic colour chordoutside the key	E · G · B	10×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—
V/iii	G	Secondary dominant V/iii — leads to Cmsecondary dominant	G · B · D	20×

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
V/v	G	Secondary dominant V/v — leads to Cmsecondary dominant	G · B · D	20×
III	Ab	Relative major — the bright side	Ab · C · Eb	—
#iii	Am	Chromatic colour chordoutside the key	A · C · E	20×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	30×
VI	Db	Submediant — warm colour	Db · F · Ab	—
#VI	D	Chromatic colour chordoutside the key	D · F# · A	30×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—
#vii	Em	Chromatic colour chordoutside the key	E · G · B	10×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 110 times in total; 0 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull. G acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening C lays a solid floor for everything that follows. C, D, G, Am carry the song: III–#IV–V/iii–bii relative to Ab, V–#VI–V/v–#iii relative to Fm. C is the interesting twist: in Ab it is a chromatic chord (III), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. The final chord is C; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.