Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Key Ab major – F minor Chords Em, D, A Difficulty already in its easiest key
Em D
Blue jeans, White shirt
A
Walked into the room you know you made my eyes burn
Em D
It was like, James Dean, for sure
A
You so fresh to death and sick as ca-cancer
Em D
You were sorta punk rock, I grew up on hip hop
A
But you fit me better than my favourite sweater, and I know
Em D
That love is mean, and love hurts
A
But I still remember that day we met in December, oh baby!
Em D A
I will love you till the end of time
A Em
I would wait a million years
Em D A
Promise you'll remember that you're mine
A
Baby can you see through the tears
Em D
Love you more, than those b...... before
A
Say you'll remember, oh baby, say you'll remember
Em D A
I will love you till the end of time
Em D
Big dreams, Gangster
A
Said you had to leave to start your life over
Em D
I was like: "No please", "Stay here"
A
"We don't need no money we can make it all work"
Em D
But he headed out on Sunday, said he'd come home Monday
A
I stayed up waiting, anticipating and pacing but he was
Em D
Chasing, Paper
A
"Caught up in the game" that was the last I heard
Em D A
I will love you till the end of time
A Em
I would wait a milion years
Em D A
Promise you'll remember that you're mine
A
Baby can you see through the tears
Em D
Love you more, Than those b...... before
A
Say you'll remember, oh baby, say you'll remember
Em D A
I will love you till the end of time
Em
He went out every night, And baby that's alright
D
I told you that no matter what you did, I'd be by your side
D
Cause I'm a ride or die, Whether you fail or fly,
D
Well s... at least you tried.
Em
But when you walked out that door, a piece of me died
Em
I told you I wanted more, but that not what I had in mind
D
I just want it like before, We were dancing all night
D
Then they took you away, - stole you out of my life
D
You just need to remember
Em D A
I will love you till the end of time
A Em
I would wait a milion years
Em D A
Promise you'll remember that you're mine
A
Baby can you see through the tears
Em D
Love you more, Than those b...... before
A
Say you'll remember, oh baby, say you'll remember
Em D A
I will love you till the end of time
End of song Play again?
Harmony analysis
The song opens on Em and ends on A. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| bII | A | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | A · C# · E | 26× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| #IV | D | Chromatic colour chordoutside the key | D · F# · A | 26× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| bvi | Em | Chromatic colour chordoutside the key | E · G · B | 26× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| #III | A | Chromatic colour chordoutside the key | A · C# · E | 26× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| #VI | D | Chromatic colour chordoutside the key | D · F# · A | 26× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
| #vii | Em | Chromatic colour chordoutside the key | E · G · B | 26× |
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 78 times in total; 0 of them sit naturally inside the shared scale. A is borrowed from the parallel minor, adding a darker shade to the major side.
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
Starting on Em, the song gives away its key from the very first bar. Em, D, A carry the song: bvi–#IV–bII relative to Ab, #vii–#VI–#III relative to Fm. A briefly darkens the picture: neapolitan bii — a dark, dramatic colour a half step above the tonic. Ending on A, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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