Paptircem - Misafir - Chord

Key D major – B minor Chords Bm, Em, Gmaj7, F#7, C#dim, A, G, F# Easy key C (capo 2)

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Capo 0

Bm  Em  Bm  Em

Bm                    Em
İki gündür çıkmayan rimel
Bm                   Em
Koca kadın, sıfır özgüven
    Bm
Elinde değil utanmak
Em
Tek bildiği salmak
Gmaj7                  F#7
Dosta korku, düşmana güven

(Tam tersi değil miydi ya? Ya bi' sus be!)

Bm                Em
Fikri yok şu aklında
   Bm                 Em
Ve hep bir ağrı karnında
      Bm
Sanki bedeviden bahtsız
Em
Kalakaldı yalnız
 Gmaj7             F#7
İkinci el bi' dünyada

    Bm                    Em
Aklımın içinde kaç kişi misafir?
      Bm                   Em
Söyle hangisi iyi, hangisi hain?
          Bm
Buruk bir tat var ağzımda
      Em
Hissettin mi nabzımdan
    Gmaj7                  F#7
Elimde değil ki benim istikbalim

    Bm                          Em
Hepiniz vampir de bi' ben miyim fani?
        Bm                    Em
Bir gün yem olursam boynuna vebalim
   Bm                 Em
Failim aramızda, titriyor yanınızda
      Gmaj7           F#7
Korkması da gayet insani
                      Bm
Sıra ona da gelecek illaki

Bm  Em  Bm  Em

Bm               Em
Kimse yok etrafında
Bm               Em
Hepsi mi gözaltında?
        Gmaj7
Bir gün şartlar el verir
    Em
Başına bir şey gelirse
Gmaj7            F#7
Ağlayan yok arkandan

    Bm                    Em
Aklımın içinde kaç kişi misafir?
      Bm                   Em
Söyle hangisi iyi, hangisi hain?
          Bm
Buruk bir tat var ağzımda
      Em
Hissettin mi nabzımdan
    Gmaj7                  F#7
Elimde değil ki benim istikbalim

Bm            Em
Mutludur aslında
Bm               C#dim
Tek bi' laf ağzında
Bm              A
Doğmasa burda nasıl bir hayatı
 G           F#
Olurdu ki acaba?

Bm            Em
Mutludur aslında (Ve bu bir yalan)
Bm           C#dim
Aklı hiç olmasa (Ve bu da bir yalan)
Bm              A
Doğmasa burda nasıl bir hayatı
 G           F#
Olurdu ki acaba?


Aklımın içinde kaç kişi misafir?
Söyle hangisi iyi, hangisi hain?
Failim aramızda
Titriyor yanınızda
Korkması da gayet insani
Sıra ona da gelecek illaki!

End of song Play again?

Paptircem - Misafir Tabs

NotesX

Harmony analysis

Paptircem – Misafir: key and chord analysis

The song opens on Bm and ends on F#. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)
#7 = A# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the B minor side because it opens on Bm, Bm is heard 28 times while D never appears and the major V chord points straight at Bm. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	—
ii	Em	Supertonic — prepares the dominant	E · G · B	24×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	—
V7/vi	F#7	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C# · E	6×
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	2×
IVmaj7	Gmaj7	Subdominant — moves away from home	G · B · D · F#	7×
IV	G	Subdominant — moves away from home	G · B · D	2×
V	A	Dominant — strongest pull home	A · C# · E	2×
vi	Bm	Relative minor — the melancholy side	B · D · F#	28×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	2×

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	28×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	2×
III	D	Relative major — the bright side	D · F# · A	—
iv	Em	Subdominant — moves away from home	E · G · B	24×
v	F#m	Minor dominant — soft pull	F# · A · C#	—
V7	F#7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C# · E	6×
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	2×
VImaj7	Gmaj7	Submediant — warm colour	G · B · D · F#	7×
VI	G	Submediant — warm colour	G · B · D	2×
VII	A	Subtonic — steps back to the tonic	A · C# · E	2×

Analysis

The key pair is D major and its relative B minor (2 sharps). 8 different chords appear 73 times in total; 6 of them sit naturally inside the shared scale. The major V of Bm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from D, the same F#7 / F# is V7/vi, a secondary dominant heading for Bm.

Chord movement

Em Bm Dii → vi Bmiv → iminor plagal ×17
F#7 Bm DV7/vi → visecondary resolution BmV7 → iharmonic-minor cadence ×6
F# Bm DV/vi → vi BmV → iharmonic-minor cadence ×1

The move to watch is Em → Bm, heard 17 times. From the Bm side it is iv → i (minor plagal: deep and melancholic); from the D side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Gmaj7, land on G, B, D — the chord's own tones always sound right on strong beats.
When F#7 comes, swap the scale's A for A#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

2 semitones down · capo 2 keeps the original pitch
5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

The first chord is Bm; the ear learns where home is within a second. The chords that keep coming back are Bm, Em, Gmaj7, F#7; read them as vi–ii–IVmaj7–V7/vi in D or i–iv–VImaj7–V7 in Bm. F#7 is the interesting twist: in D it is a chromatic chord (V7/vi), while in Bm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Em → Bm (ii → vi in D, iv → i in Bm): minor plagal — deep and melancholic. The final chord is F#; the ear comes to rest in D.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.