Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords G, D, A, Bm Easy key G (capo 7)
Bm G D A
Bm G D A
Bm
I took an arrow to the heart
G
I never kissed a mouth that taste like yours
D
Strawberries and something more
A
Ooh yeah I want it all
Bm
Lipstick on my guitar, ooh
G
Fill up the engine, we can drive real far
D
Go dancing underneath the stars
A
Ooh yeah I want it all
You got me feeling like
Bm
I wanna be that guy
I wanna kiss your eyes
G
I wanna drink that smile
I wanna feel like I’m
D
Like my soul’s on fire
A
I wanna stay up all day and all night
You got me singing like
Bm
Ooh, I love when you do it like that
G
And when you're close up, give me the shivers
D
Oh baby you wanna dance 'til the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back and we'll say
Bm
Ooh, I love when you do it like that
G
And when you're close up, give me the shivers
D
Oh baby you wanna dance 'til the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back
Bm
Into the car
G
On the back seat in the Moon lit dark
D
Wrap me up between your legs and arms
A
Ooh, I can't get enough
Bm
You know you could tear me apart
G
Put me back together and take my heart
D
I never thought that I could love this hard
A
Ooh, I can't get enough
Ooh, you got me feeling like
Bm
I wanna be that guy
I wanna kiss your eyes
G
I wanna drink that smile
I wanna feel like I’m
D
Like my soul’s on fire
A
I wanna stay up all day and all night
You got me singing like
Bm
Ooh, I love when you do it like that
G
And when you're close up, give me the shivers
D
Oh baby you wanna dance 'til the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back and we'll say
Bm
Ooh, I love when you do it like that
G
And when you're close up, give me the shivers
D
Oh baby you wanna dance 'til the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back
Bm
Baby, you are so hot you make me shiver
G
With the fire you got, this thing is started
D A
I don't want it to stop, you know you make me shiver er er
Bm
Baby, you are so hot you make me shiver
G
With the fire you got, this thing is started
D A
I don't want it to stop, you know you make me shiver
Yeah, you got me singing like
Ooh, I love it when you do it like that
G
And when you're closer, give me the shivers
D
Oh, baby, you wanna dance till the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back
Bm
And we'll say, ooh, I love it
When you do it like that
G
And when you're closer, give me the shivers
D
Oh, baby, you wanna dance till the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back
Bm
Ooh, and we'll say, ooh, I love it
When you do it like that
G
And when you're closer, give me the shivers
D
Oh, baby, you wanna dance till the sunlight cracks
A
And when they say the party's over
Then we'll bring it right back
End of song Play again?
Harmony analysis
The song opens on Bm and ends on A. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor because it opens on Bm and D is heard 17 times against 16 for Bm. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 17× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 17× |
| V | A | Dominant — strongest pull home | A · C# · E | 17× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 16× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 16× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 17× |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 17× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 17× |
The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 67 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is G → D, heard 17 times. From the D side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Bm, the song gives away its key from the very first bar. G, D, A, Bm carry the song: IV–I–V–vi relative to D, VI–III–VII–i relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → D (IV → I in D, VI → III in Bm): plagal cadence — the soft 'amen' ending. Ending on A, the song seals D as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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