Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords C, Em, Am Difficulty already in its easiest key
Em C Am C
Em
Kendim için değil ailem için iyiyim
Daha makineyim tamamen çeliğim
C
Gönder mesajını tamam inceleyim
Bebek artık kızacak yengeniz yok daha da free’yim hadi
Am
Tut elimi gel yüreğimiz çok soğuk
Buna bir ilaç bulamadı doktor
C
Kafası kırık edemedi kontrol
Chavo hayatını toplaması çok zor
Em
Düşündüğünü yap sakın yarına bırakma
İstediğim olur hem de istediğim dakika
C
Dumanını çek sanki etkisi flakka
Hayatımdan defol hadi kırmızı kartla
Am
Yeter anla bu kadar uzatma
Yaşıyorum hayatımı kalabalık yapma
C
Gezemedik beraberken ülkeleri aptal
Tekim artık her birine gidiyorum inatla
Em
Zor zor kaçmak ölmekten daha zor
C
Oo-oo kendini gel benim yerime koy
Am
Korkum yok bol koy git bizi geçerli gençlere sor
C
Ooo ooo karnımız artık yalanlara tok
x2
Em
Sırtım yere gelmedi halen, gelsin diye uğraşır alem
C
Beni ben yapan bu hırs ve iradem, deliden korkmam raporlu tüm ailem
Am
Mahkum gibi yaşıyordum dün gibi, kazılı aklıma yak geçmişi
C
Var farkına kral tek kişi, bas damarına görünecek dişi
Em
Masa başı çalışamam ele başı benim, İtaliano mafya gibi full takım denim
C
Sade tek başıma akıyor gözlerim, sana belli etmem bebek acımı gizlerim
Am
Hisler gerçek düşler derin benim, beynim ateş kalbim serin
C
Yanındayım gülümsetirim, hırsım olur ölüm sebebim
Em
Zor zor kaçmak ölmekten daha zor
C
Oo-oo kendini gel benim yerime koy
Am
Korkum yok bol koy git bizi geçerli gençlere sor
C
Ooo ooo karnımız artık yalanlara tok
x2
End of song Play again?
Harmony analysis
The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 7 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 7× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 14× |
| V | D | Dominant — strongest pull home | D · F# · A | — |
| vi | Em | Relative minor — the melancholy side | E · G · B | 7× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 7× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 7× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 14× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | — |
The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 28 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → Em, heard 6 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The first chord is Em; the ear learns where home is within a second. The backbone is C, Em, Am — IV–vi–ii from the G side, VI–i–iv from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. The final chord is C; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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