Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Uzi - Arasan da - Chord
Key Ab major – F minor Chords Fm, Cm Easy key F (capo 3)
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Key: Ab | Fm
Capo: 0
Fm Cm Fm Cm
Fm
Arasan da beni çok geç kaldı heveslerim kursağımda
Cm
Lütfen uzatma yolum yol değil ölüm 15 adımlık uzakta
Fm
Arasan da beni yok yüzüm söylicek sözüm artık çok geç
Cm
Lütfen uzatma, ya
Fm
Gülün yokmuş gibi yarın sanki yokmuş gibi
Ölüm tokmuş gibi karnın solmuş sanki çiçeklerin
Cm
Doluyosa iki cümle ile iki gözün
Nefretini yen dönceğin kapıda benim
Fm
Hayatımda yalnız olmak kalıcı tek çözüm
Ama şuan ihtiyacım olan para değil
Cm
Hayatımız dizi madem bu kaçıncı bölüm
Silahını o...pu çocuklarına çevir
Fm
Karşılaşmak çok zor gördüğün aynadan kaçmak daha fazla delir
Cm
Yabancılaştım resmen bıraktım kadere inanırım elbet gelir
Fm Cm
Çok yorgun düştüm, bir gece karşımda belir
Fm Cm Fm Cm
(Tüm şarkı boyunca aynı akor döngüsü devam eder)
Gelme bana istediğimi verme
Derme çatma hayallerimize perde
Çektim yaşıyorum mutlu olduğumuz günlerde
Madem böyle olucaz o zaman hiç güvenme bana
Ve düştüm sana bi kez daha valla kaçar giderim birden bire
Kader sorarsa sana görmedin beni düşemem daha dilden dile
Büyüdüm dert ekledikçe izledim ve güldüm utandım iyice dur dedim be chavo büyüdün
Umarım seni beyazlar içinde görürüm
O zaman gerçekleşir beklediğin ölümüm
Allah’ınız para ciğerlerim is ciğerlerim kara
Yanılmadım çünkü harbi güvenmedim sana
Umut değil lütfen artık silah verin bana gözlerim kara
Fm
Karşılaşmak çok zor gördüğün aynadan kaçmak daha fazla delir
Cm
Yabancılaştım resmen bıraktım kadere inanırım elbet gelir
Fm Cm
Çok yorgun düştüm, bir gece karşımda belir
Fm
Arasan da beni çok geç kaldı heveslerim kursağımda
Cm
Lütfen uzatma yolum yol değil ölüm 15 adımlık uzakta
Fm
Arasan da beni yok yüzüm söylicek sözüm artık çok geç
Cm
Lütfen uzatma, ya
End of song Play again?
Uzi - Arasan da Tabs
NotesX
Harmony analysis
Uzi – Arasan da: key and chord analysis
The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 14 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 14× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 14× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 14× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 14× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 28 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×13
The move to watch is Cm → Fm, heard 13 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. The chords that keep coming back are Fm, Cm; read them as vi–iii in Ab or i–v in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. It closes on Cm, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Uzi - Arasan da Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: UziMusic: Uzi
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