Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords G, Em7, C6, D7sus4, Cadd9, Bm, Em, F … Difficulty already in its easiest key
G Em7 C6 D7sus4
G
Wish I could
Em7
I could have said goodbye
C6
I would have said what I wanted to
D7sus4
Maybe even cried for you
G Em7
If I knew it would be the last time
C6
I would have broke my heart in two
D7sus4
Tryin' to save a part of you
G
Don't want to feel another touch
Em7
Don't want to start another fire
C6
Don't want to know another kiss
D7sus4
No other name falling off my lips
G
Don't want to give my heart away
Em7
To another stranger
C6
Or let another day begin
D7sus4
Won't even let the sunlight in
N.C. G
No I'll never love again
Em7
I'll never love again
C6
Ooouuu ooou oou
D7sus4
Oh
G
When we first met
Em7
I never thought that I would fall
C6
I never thought that I'd find myself
D7sus4
Lyin' in your arms Mmmm mmmm
G
And I wanna pretend that it's not true
Em7
Oh baby that you're gone
C6
Cause my world keeps turnin' and turnin' and turnin'
D7sus4
And I'm not movin' on
G
Don't want to feel another touch
Em7
Don't want to start another fire
C6
Don't want to know another kiss
D7sus4
No other name falling off my lips
G
Don't want to give my heart away
Em7
To another stranger
C6
Or let another day begin
D7sus4
Won't even let the sunlight in
No I'll never love
Em
I don't wanna know this feeling
G
Unless it's you and me
F
I don't wanna waste a moment
C
Hoooo ouuu
Em
And I don't wanna give somebody else
G
The better part of me
F
I would rather wait for you
C N.C.
Hoooo ouuu
G
Don't want to feel another touch
Em7
Don't want to start another fire
C6
Don't want to know another kiss
D7sus4
Baby unless they are your lips
G
Don't want to give my heart away
Em7
To another stranger
C6
Or let another day begin
D7sus4
Won't even let the sunlight in
G
Oooo I'll never love again
Em7
Love again
C6
I'll never love again
D7sus4
I'll never love
Cadd9
Again
Bm Am
I won't I won't I swear I can't
N.C.
I wish I could but I just won't
Cadd9 Bm
I'll never love again
Am7
I'll never love
Cadd9 Bm Am7
Agaaaaaaain
C/F
Who oo oo oo oo
G
Hmmm
End of song Play again?
Harmony analysis
The song opens on G and ends on G. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it both starts and finishes on G. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 15× |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 2× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 1× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 3× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV6 | C6 | Subdominant — moves away from home | C · E · G · A | 13× |
| IV | Cadd9 | Subdominant — moves away from home | C · E · G · D | 3× |
| IV | C | Subdominant — moves away from home | C · E · G | 1× |
| IV | C/F | Subdominant — moves away from home | C · E · G | 1× |
| V7sus4 | D7sus4 | Dominant — strongest pull home | D · G · A · C | 13× |
| V | D | Dominant — strongest pull home | D · F# · A | — |
| vi7 | Em7 | Relative minor — the melancholy side | E · G · B · D | 13× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 2× |
| bVII | F | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | F · A · C | 2× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Em7 | Tonic — home | E · G · B · D | 13× |
| i | Em | Tonic — home | E · G · B | 2× |
| bII | F | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | F · A · C | 2× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 15× |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 2× |
| iv | Am | Subdominant — moves away from home | A · C · E | 1× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 3× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI6 | C6 | Submediant — warm colour | C · E · G · A | 13× |
| VI | Cadd9 | Submediant — warm colour | C · E · G · D | 3× |
| VI | C | Submediant — warm colour | C · E · G | 1× |
| VI | C/F | Submediant — warm colour | C · E · G | 1× |
| VII7sus4 | D7sus4 | Subtonic — steps back to the tonic | D · G · A · C | 13× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | — |
The key pair is G major and its relative E minor (1 sharp). 12 different chords appear 69 times in total; 11 of them sit naturally inside the shared scale. F is borrowed from the parallel minor, adding a darker shade to the major side.
The move to watch is C6 → D7sus4, heard 13 times. From the G side it reads IV6 → V7sus4 (IV → V: the lift that builds tension before home); from the Em side it is VI6 → VII7sus4 (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The opening G lays a solid floor for everything that follows. The backbone is G, Em7, C6, D7sus4 — I–vi7–IV6–V7sus4 from the G side, III–i7–VI6–VII7sus4 from the Em side. F briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on C6 → D7sus4 (IV6 → V7sus4 in G, VI6 → VII7sus4 in Em): IV → V — the lift that builds tension before home. It closes on G, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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