Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords C, Em, D Difficulty already in its easiest key
Em
Baby I’m preying on you tonight
D
Hunt you down, eat you alive
C
Just like animals, animals, like animals
Em
Maybe you think you that can hide
D
I can smell your scent for miles
C
Just like animals, animals, like animals
Em
Baby I'm
D
So what you trying to do to me
C
It's like we can't stop, we're enemies
Em
But we get along when I'm inside you
D
You're like a drug that's killing me
C
I cut you out entirely
But I get so high when I'm inside you
Em
Yeah you can start over
You can run free
D
You can find other fish in the sea
C
You can pretend it’s meant to be
But you can’t stay away from me
Em
I can still hear you making that sound
D
Taking me down rolling on the ground
C
You can pretend it was me, but no
Em
Baby I’m preying on you tonight
D
Hunt you down, eat you alive
C
Just like animals, animals, like animals
Em
Maybe you think you that can hide
D
I can smell your scent for miles
C
Just like animals, animals, like animals
Em
Baby I'm
D
So if I run, it's not enough
C
You're still in my head, forever stuck
But you can do, what you wanna do
Em D
I love your lies, I'll eat 'em up
C
But don't deny the animal
That comes alive when I'm inside you
D
Don’t tell no lie
C
You can’t deny
C
The beast inside
C
Yeah yeah yeah
Em D
No girl don't lie
D
You can't deny
C
The beast inside
C
Yeah yeah yeah
Em
Just like animals, animals, like animals
Em
Just like animals, animals, like animals
Em
Baby I’m preying on you tonight
D
Hunt you down, eat you alive
C
Just like animals, animals, like animals
Em
Maybe you think you that can hide
D
I can smell your scent for miles
C
Just like animals, animals, like animals
Em
Baby I'm
End of song Play again?
Harmony analysis
The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 16 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 17× |
| V | D | Dominant — strongest pull home | D · F# · A | 15× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 16× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 16× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 17× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 15× |
The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 48 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → Em, heard 13 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The first chord is Em; the ear learns where home is within a second. The chords that keep coming back are C, Em, D; read them as IV–vi–V in G or VI–i–VII in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. The final chord is Em; the ear comes to rest in Em.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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