Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Key E major – C# minor Chords Dbm, E, B, Gbm, A Easy key G
Intro 5x:
Dbm E B Gbm
Dbm E B Gbm
I've had a little bit too much
Dbm E B Gbm
All of the people start to rush.
Start to rush babe.
Dbm E
How does he twist the dance
B Gbm
Can't find my drink or man.
Dbm E B Gbm
Where are my keys, I lost my phone.
A Dbm
What's go ing out on the floor
A
I love this record baby, but I can't see straight anymore.
Dbm
Keep it cool what's the name of this club
E
I can't remember but it's alright, alright.
Refrão:
Dbm E
Just dance. Gunna be okay.
B Gbm
Da doo doo doo
Dbm E
Just dance. Spin that record babe.
B Gbm
Da doo doo doo
Dbm E
Just dance. Gunna be okay.
B Gbm
Duh duh duh duh
Dbm E B Dbm
Dance. Dance. Dance. Ju just dance.
Wish I could shut my playboy mouth
How'd I turn my shirt inside out
Control your poison babe roses have thorns they say
And we're all gettin' hosed tonight
A Dbm
What's go ing out on the floor
A
I love this record baby, but I can't see straight anymore.
Dbm
Keep it cool what's the name of this club
B
I can't remember but it's alright, alright.
When I come through on the dance floor checkin out that catalogue
Can't believe my eyes so many women without a flaw
And I ain't gonn' give it up, steady tryna pick it up like the car
I'ma hit it, I'ma hit it and flex until the til done until tomorr' yeah.
Show me I can see that you got so much in the jean
The way you twirlin' up them hips round and round
And there no reason that at all why you can't leave here with me
In the mean time stay let me watch you break it down and
Half psychotic sick hypnotic got my blueprint its symphonic
Half psychotic sick hypnotic got my blueprint eletronic
Half psychotic sick hypnotic got my blueprint its symphonic
Half psychotic sick hypnotic got my blueprint eletronic
Go! Use your muscle car ve it out work it, hustle
Don't Slow! Drive it, clean it lysol, bleed it
Spend the last dough in your pocko!
End of song Play again?
Harmony analysis
The song opens on Dbm and ends on B. Its chords belong to both E major and C#m, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because it opens on C#m and C#m is heard 14 times against 10 for E. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | 10× |
| ii | Gbm | Supertonic — prepares the dominant | Gb · A · Db | 8× |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | — |
| V/vi | G# | Secondary dominant V/vi — leads to Dbmsecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | 4× |
| V | B | Dominant — strongest pull home | B · D# · F# | 10× |
| vi | Dbm | Relative minor — the melancholy side | Db · Fb · Ab | 14× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dbm | Tonic — home | Db · Fb · Ab | 14× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | 10× |
| iv | Gbm | Subdominant — moves away from home | Gb · A · Db | 8× |
| v | G#m | Minor dominant — soft pull | G# · B · D# | — |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | 4× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 10× |
The key pair is E major and its relative C# minor (4 sharps). 5 different chords appear 46 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gbm → Dbm, heard 7 times. From the C#m side it is iv → i (minor plagal: deep and melancholic); from the E side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Dbm; the ear learns where home is within a second. Dbm, E, B, Gbm carry the song: vi–I–V–ii relative to E, i–III–VII–iv relative to C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gbm → Dbm (ii → vi in E, iv → i in C#m): minor plagal — deep and melancholic. The final chord is B; the ear comes to rest in E.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.
We use cookies to provide you with the best experience on our website. For more information, please review our privacy policy.