Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords Am, C, G, D Difficulty already in its easiest key
Am C Like a gift from the heavens, it was easy to tell G D It was love from above, that could save me from hell Am C She had fire in her soul it was easy to see, G D How the devil himself could be pulled out of me Am C There were drums in the air as she started to dance G D Every soul in the room keeping time with there hands And we sang Am C Ay oh ay oh ay oh ay G D And the voices bang like the angels sing We're singing Am C Away, away, away G D And we danced on into the night Am Away, away, away C Away, away, away G D And we danced on into the night Am C Like a piece to the puzzle that falls into place G D You could tell how we felt from the look on our faces, Am C we was spinning in circles with the moon in our eyes G D The room left them moving between you and I Am C We forgot where we were and we lost track of time G D And we sang to the wind as we danced through the night And we sang Am C Ay oh ay oh ay oh ay G D And the voices bang like the angels sing, We're singing Am C Away, away, away G D And we danced on into the night Am Away, away, away C Away, away, away G D And we danced on into the night Am C Like a gift from the heavens, it was easy to tell G D It was love from above, that could save me from hell Am C She had fire in her soul it was easy to see, G D how the devil himself could be pulled out of me Am C There were drums in the air as she started to dance G D Every soul in the room keeping time with there hands Am C Ay oh ay oh ay oh ay G D And the voices bang like the angels sing We're singing Am C Away, away, away G D And we danced on into the night Am Away, away, away C Away, away, away G D And we danced on into the night
End of song Play again?
Harmony analysis
The song opens on Am and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because G is heard 18 times while Em never appears. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 18× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 18× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| III | B | Chromatic colour chordoutside the key | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 18× |
| V | D | Dominant — strongest pull home | D · F# · A | 18× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 18× |
| iv | Am | Subdominant — moves away from home | A · C · E | 18× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 18× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 18× |
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 72 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → G, heard 18 times. From the G side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Em side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The opening Am lays a solid floor for everything that follows. Am, C, G, D carry the song: ii–IV–I–V relative to G, iv–VI–III–VII relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. Ending on D, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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