Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords C, G, Em, Am, D/F# Difficulty already in its easiest key
Em C G
I love it when you just don't care
Am Em C G
I love it when you dance like there's nobody there
Am Em C G
So when it gets hard, don't be afraid
Am Em C G
We don't care what them people say
Em C G
I love it when you don't take no
Am Em C G
I love it when you do what you want cause you just said so
Am Em C G
Let them all go home, we out late
Am Em C G
We don't care what them people say
G C
We don't have to be ordinary
Em C
Make your best mistakes
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
G C
I'm telling you, take your shot it might be scary
Em C
Hearts are gonna break
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
Em C G
Together we can just let go
Am Em C G
Pretend like there's no one else here that we know
Am Em C G
Slow dance fall in love as the club track plays
Am Em C G
We don't care what them people say
G C
We don't have to be ordinary
Em C
Make your best mistakes
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
G C
I'm telling you, take your shot it might be scary
Em C
Hearts are gonna break
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
Em G
Come out tonight, come out tonight
C G D/F#
There's no one standing in your way
Em G
Come out tonight, come out tonight
C G
We don't care what them people say
C G
We don't care what them people say
G C
We don't have to be ordinary
Em C
Make your best mistakes
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
G C
I'm telling you, take your shot it might be scary
Em C
Hearts are gonna break
G C
Cause we don't have the time to be sorry
Em C
So baby be the life of the party
G C Em C
Yeah, yeah, yeah
G
Life of the party
C Em
So don't let them keep you down
C G
Oh you know you can't give up
C Em
Cause we don't have the time to be sorry
C Em C
So baby be the life of the party
End of song Play again?
Harmony analysis
The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor because it opens on Em and G is heard 32 times against 30 for Em. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 32× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 9× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 46× |
| V | D/F# | Dominant — strongest pull home | D · F# · A | 1× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 30× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 30× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 32× |
| iv | Am | Subdominant — moves away from home | A · C · E | 9× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 46× |
| VII | D/F# | Subtonic — steps back to the tonic | D · F# · A | 1× |
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 118 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → G, heard 27 times. From the G side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Em side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The first chord is Em; the ear learns where home is within a second. The chords that keep coming back are C, G, Em, Am; read them as IV–I–vi–ii in G or VI–III–i–iv in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. It closes on C, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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