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Mariah Carey - Santa Claus Is Comin' To Town - Chord

Key G major – E minor Chords G, C, D, Em, A Difficulty already in its easiest key

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Capo 0
G
You better watch out
C
You better not cry
G
You better not pout
C
I'm telling you why

G                C
Santa Claus is comin' to town
G                C
Santa Claus is comin' to town
G       Em     C    D     G
Santa Claus is comin' to town

C  D    G
       He's making a list
C
He's checking it twice
G
He's gonna find out
C
Who's naughty or nice

G                C
Santa Claus is comin' to town
G                C
Santa Claus is comin' to town
G       Em     C    D     G
Santa Claus is comin' to town

G                          C
He sees you when you're sleeping
G                     C
He knows when you're awake
A                              D
He knows if you've been bad or good
A                        D
So be good for goodness sake

G
So you better watch out
C
You better not cry
G
You better not pout
C
I'm telling you why

G                C
Santa Claus is comin' to town
G                C
Santa Claus is comin' to town
G       Em     C    D     G   C  D
Santa Claus is comin' to town

G  C  G  C
G  C  G  C
G  Em  C  D  G

G                       C
The kids in girl and boyland
G              C
Will have a jubilee
A                        D
They're gonna build a toyland
A                         D
All around the Christmas tree

G
So you better watch out
C
You better not cry
G
You better not pout
C
I'm telling you why

G                C
Santa Claus is comin' to town
G                C
Santa Claus is comin' to town
G                C
Santa Claus is comin'
G                C
Santa Claus is comin' 
G      Em     C    D
Santa Claus is comin'
    G
To town

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Mariah Carey - Santa Claus Is Comin' To Town Tabs

NotesX

Harmony analysis

Mariah Carey – Santa Claus Is Comin' To Town: key and chord analysis

The song opens on G and ends on G. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = F# (leading tone, pulls home)
  • 4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = C (the minor's melancholy)
  • b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G major side because it both starts and finishes on G and G is heard 36 times against 5 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree Chord Role Notes In song
I G Tonic — home G · B · D 36×
ii Am Supertonic — prepares the dominant A · C · E —
V/V A Secondary dominant V/V — leads to Dsecondary dominant A · C# · E 4×
iii Bm Mediant — a tonic-family shade B · D · F# —
V/vi B Secondary dominant V/vi — leads to Emsecondary dominant B · D# · F# —
IV C Subdominant — moves away from home C · E · G 33×
V D Dominant — strongest pull home D · F# · A 11×
vi Em Relative minor — the melancholy side E · G · B 5×
vii° F#dim Leading-tone chord — tension F# · A · C —
Seen from E minor
Degree Chord Role Notes In song
i Em Tonic — home E · G · B 5×
ii° F#dim Supertonic — prepares the dominant F# · A · C —
III G Relative major — the bright side G · B · D 36×
iv Am Subdominant — moves away from home A · C · E —
IV A Major IV — Dorian / melodic-minor colourmodal colour A · C# · E 4×
v Bm Minor dominant — soft pull B · D · F# —
V B Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor B · D# · F# —
VI C Submediant — warm colour C · E · G 33×
VII D Subtonic — steps back to the tonic D · F# · A 11×

Analysis

The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 89 times in total; 4 of them sit naturally inside the shared scale. A acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

  1. C G GIV → Iplagal cadence EmVI → III ×24
  2. D G GV → Iauthentic cadence EmVII → III ×9
  3. C D GIV → VIV → V EmVI → VIIVI → VII ×7

The move to watch is C → G, heard 24 times. From the G side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Em side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
  • Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
  • Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
  • Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With G major shapes

    • No capo — open G shapes
    • Capo 3 + E shapes
    • Capo 5 + D shapes

    With E minor shapes

    • No capo — open Em shapes
    • Capo 2 + Dm shapes
    • Capo 7 + Am shapes

    Easiest keys on guitar

    The song is already written in its easiest key for guitar.

    The song's harmonic story

    The first chord is G; the ear learns where home is within a second. The chords that keep coming back are G, C, D, Em; read them as I–IV–V–vi in G or III–VI–VII–i in Em. A adds a moment of surprise: secondary dominant V/V — leads to D. Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. Ending on G, the song seals G as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Mariah Carey - Santa Claus Is Comin' To Town Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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