Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ender Balkır - Daha Senden Gayrı Aşık mı Yoktur - Chord
Key G major – E minor Chords Em, D, Cmaj7, Am, G Difficulty already in its easiest key
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Key: G | Em
Capo: 0
D Cmaj7 Em Daha senden gayrı gayrı aşık mı yoktur Em Am Daha senden gayrı aşık mı yoktur G D Cmaj7 Em Nedir bu telâşın vay deli gönül, vay deli gönül Am G Hele düşün devri Adem'den beri D Cmaj7 Em Neler gelmiş geçmiş say deli gönül Am G Hele düşün devri adem'den beri D Cmaj7 Em Kimler gelmiş geçmiş say deli gönül D Cmaj7 Em Şu fani dünyadan umudunu üz Em Am Şu fani dünyadan umudunu üz G D Cmaj7 Em İnanmazsan var kitaba yüz be yüze, canım yüz be yüz Am G Evin mezaristan malın bir top bez D Cmaj7 Em Daha doymadınsa doy deli gönül D Cmaj7 Em Günde bir yol duman çöker serime Em Am Günde bir yol duman çöker serime G D Cmaj7 Em Elim ermez gidem kisb-i karıma, kisb-i karıma Am G Kendi bildiğine doğrudur demek D Cmaj7 Em Var iki kamile sor deli gönül D Cmaj7 Em Gördüm iki kişi kişi mezar eşiyor Em Am Gördüm iki kişi mezar eşiyor G D Cmaj7 Em Gam gasavet gelmiş, boydan aşıyor, boydan aşıyor Am G Çok yaşayan yüze kadar yaşıyor D Cmaj7 Gelde bu rüyayı yor deli gönül D Cmaj7 Em Mevlam kanat vermiş dostum uçamıyorsun Em Am Mevlam kanat vermiş uçamıyorsun G D Cmaj7 Em Bu nefsin elinden kaçamıyorsun, kaçamıyorsun Am G Ruhsati dünyadan geçemiyorsun D Cmaj7 Topraklar başına vay deli gönül
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Ender Balkır - Daha Senden Gayrı Aşık mı Yoktur Tabs
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Harmony analysis
Ender Balkır – Daha Senden Gayrı Aşık mı Yoktur: key and chord analysis
The song opens on D and ends on Cmaj7. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because Em is heard 19 times against 11 for G. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 11× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 11× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IVmaj7 | Cmaj7 | Subdominant — moves away from home | C · E · G · B | 16× |
| V | D | Dominant — strongest pull home | D · F# · A | 16× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 19× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 19× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 11× |
| iv | Am | Subdominant — moves away from home | A · C · E | 11× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VImaj7 | Cmaj7 | Submediant — warm colour | C · E · G · B | 16× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 16× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 73 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cmaj7 Em GIVmaj7 → vi EmVImaj7 → iVI → i ×14
- Cmaj7 D GIVmaj7 → VIV → V EmVImaj7 → VIIVI → VII ×1
The move to watch is Cmaj7 → Em, heard 14 times. From the Em side it is VImaj7 → i (VI → i: falls a half step into home); from the G side it reads IVmaj7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Cmaj7, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening D lays a solid floor for everything that follows. Em, D, Cmaj7, Am carry the song: vi–V–IVmaj7–ii relative to G, i–VII–VImaj7–iv relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cmaj7 → Em (IVmaj7 → vi in G, VImaj7 → i in Em): VI → i — falls a half step into home. The final chord is Cmaj7; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ender Balkır - Daha Senden Gayrı Aşık mı Yoktur Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Aşık RuhsatiMusic: Nesimi Çimen
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