Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords C, Em, G, D Difficulty already in its easiest key
G C Em D C
G C
I say remember this moment In the back of my mind
Em
The time we stood with our shaking hands
D C
The crowds in stands went wild
G
We were the kings and the queens
C
And they read off our names
Em
The night you danced like you knew our lives
D C
Would never be the same
Em C
You held your head like a hero On a history book page
Em D C
It was the end of a decade But the start of an age
G C
Long live the walls we crashed through
Em D
All the kingdom lights shined just for me and you
G C
I was screaming, "long live all the magic we made"
Em
And bring on all the pretenders
C G
One day we will be remembered
G C
I said remember this feeling I passed the pictures around
Em D
Of all the years that we stood there on the sidelines
C
Wishing for right now
G C
We are the kings and the queens You traded your baseball cap for a crown
Em D C
When they gave us our trophies And we held them up for our town
Em C
And the cynics were outraged Screaming, "this is absurd"
Em
'Cause for a moment a band of thieves in
D C
Ripped up jeans got to rule the world
G C
Long live the walls we crashed through
Em D
All the kingdom lights shined just for me and you
G C
I was screaming, "long live all the magic we made"
Em D
And bring on all the pretenders I'm not afraid
G C
Long live all the mountains we moved
Em
I had the time of my life
D
Fighting dragons with you
G C
I was screaming, "long live the look on your face"
Em
And bring on all the pretenders
C G
One day we will be remembered
C Em
Hold on to spinning around
C Em
Confetti falls to the ground
C
May these memories break our fall
G
And you take a moment
C
Promise me this
Em
That you'll stand by me forever
D C
But if God forbid fate should step in
G
And force us into a goodbye
C
If you have children someday
Em D
When they point to the pictures
C
Please tell them my name
C
Tell them how the crowds went wild
D
Tell them how I hope they shine
G C
Long live the walls we crashed through
Em D
I had the time of my life with you
G C
Long,long live the walls we crashed through
Em D
All the kingdom lights shined just for me and you
G C
I was screaming, "long live all the magic we made"
Em D
And bring on all the pretenders I'm not afraid
G C
Long live all the mountains we moved
Em
I had the time of my life
D
Fighting dragons with you
G C
Long live the look on your face
Em
And bring on all the pretenders
C G
One day we will be remembered
End of song Play again?
Harmony analysis
The song opens on G and ends on G. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it both starts and finishes on G and Em is heard 24 times against 21 for G. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 21× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 36× |
| V | D | Dominant — strongest pull home | D · F# · A | 18× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 24× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 24× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 21× |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 36× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 18× |
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 99 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → Em, heard 24 times. From the G side it reads IV → vi; from the Em side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The first chord is G; the ear learns where home is within a second. The backbone is C, Em, G, D — IV–vi–I–V from the G side, VI–i–III–VII from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. Ending on G, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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