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Aqsin Fateh - Yarem (Nefes) - Chord

Key Db major – Bb minor Chords Gb, Fm, Bbm, Ebm, Ab Easy key G (capo 6)

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Capo 0 
Fm                                          Bbm
Gözlərimi dolan görəndə qan axan bulud deyirlər
Gb                                         Fm
Bəsdi daha fikir elədin, ürəyini ovut deyirlər
                                             Bbm
Sevməyinə yoxdur əsas, yoxdur axı sübut deyirlər
Ebm                      Gb                   Fm
Dönməyəcək, boş ver onu, burax onu, unut deyirlər

Fm                                          Bbm
Gözlərini dolan görəndə qan axan bulud deyirlər
Gb                                         Fm
Bəsdi daha fikir elədin, ürəyimi ovut deyirlər
                                            Bbm
Dönməyimə yoxdur əsas, yoxdur axı sübut deyirlər
Ebm                      Gb                    Fm
Gəlməyəcəm, mən gedirəm, burax məni, unut deyirlər

Bbm
Olmur ki, yarem, yarem, yarem
Gb
Dön geri canım, gözüm, parəm
Ab
Bağlanmır, dərindir bu yarem
Gb                Ebm    Fm
Yoxdur ki, çarəm, çarəm, çarəm

Bbm  Gb  Ab  Gb  Ebm  Fm

Fm                                               Bbm
Zəngimə sən kilid vurub, sondu bu da, bilmi deyirsən
Gb                                            Fm
Məndə nəyin vardı alıb, parçalayıb silmi deyirsən
                                            Bbm
Yəni ki, ruhsuz yaşayıb ayaq üstə ölmü deyirsən
Ebm                    Gb                    Fm
Yəni, heç nə olmamış kimi yenə də gülmü deyirsən

Fm                                          Bbm
İndi qürurum danışır, sakit olub dinməyəcəm mən
Gb                                           Fm
Öylə bir atəşlərə saldın ki, daha sönməyəcəm mən
                                           Bbm
Ensə buludlar yerə, artıq əyilib enməyəcəm mən
Ebm                   Gb                    Fm
Gəlsə əgər tərsinə dünya, geriyə dönməyəcəm mən

Bbm
Olmur ki, yarem, yarem, yarem
Gb
Dön geri canım, gözüm, parəm
Ab
Bağlanmır, dərindir bu yarem
Gb                Ebm    Fm
Yoxdur ki, çarəm, çarəm, çarəm

Bbm  Gb  Ab  Gb  Ebm  Fm

Bbm
Zülmətdə şəmsiz pərvanəyəm
Gb
Dostlar deyir ki, divanəyəm
Ab
Yoxdur xəbərim heç özümdən
Gb              Ebm  Fm
Sən demə çoxdan viraanəyəm

Bbm
Zülmətdə şəmsiz pərvanəsən
Gb
Dostlar deyir ki, divanəsən
Ab
Yoxdur xəbərin heç özündən
Gb              Ebm  Fm
Sən demə çoxdan viraanəsən

Bbm
Olmur ki, yarem, yarem, yarem
Gb
Dön geri canım, gözüm, parəm
Ab
Bağlanmır, dərindir bu yarem
Gb                Ebm    Fm
Yoxdur ki, çarəm, çarəm, çarəm

End of song Play again?

Aqsin Fateh - Yarem (Nefes) Tabs

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Harmony analysis

Aqsin Fateh – Yarem (Nefes): key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C (leading tone, pulls home)
  • 4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Gb (the minor's melancholy)
  • b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because Bbm is heard 15 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree Chord Role Notes In song
I Db Tonic — home Db · F · Ab —
ii Ebm Supertonic — prepares the dominant Eb · Gb · Bb 11×
iii Fm Mediant — a tonic-family shade F · Ab · C 19×
V/vi F Secondary dominant V/vi — leads to Bbmsecondary dominant F · A · C —
IV Gb Subdominant — moves away from home Gb · Bb · Db 22×
V Ab Dominant — strongest pull home Ab · C · Eb 7×
vi Bbm Relative minor — the melancholy side Bb · Db · F 15×
vii° Cdim Leading-tone chord — tension C · Eb · Gb —
Seen from Bb minor
Degree Chord Role Notes In song
i Bbm Tonic — home Bb · Db · F 15×
ii° Cdim Supertonic — prepares the dominant C · Eb · Gb —
III Db Relative major — the bright side Db · F · Ab —
iv Ebm Subdominant — moves away from home Eb · Gb · Bb 11×
v Fm Minor dominant — soft pull F · Ab · C 19×
V F Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F · A · C —
VI Gb Submediant — warm colour Gb · Bb · Db 22×
VII Ab Subtonic — steps back to the tonic Ab · C · Eb 7×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 74 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×15
  2. Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×7

The move to watch is Fm → Bbm, heard 15 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
  • Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
  • Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Db major shapes

    • Capo 1 + C shapes
    • Capo 4 + A shapes
    • Capo 6 + G shapes

    With Bb minor shapes

    • Capo 1 + Am shapes
    • Capo 6 + Em shapes

    Easiest keys on guitar

    • 6 semitones up · capo 6 keeps the original pitch
    • 1 semitone down · capo 1 keeps the original pitch

    The song's harmonic story

    Starting on Fm, the song gives away its key from the very first bar. Gb, Fm, Bbm, Ebm carry the song: IV–iii–vi–ii relative to Db, VI–v–i–iv relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. It closes on Fm, letting the Db side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Aqsin Fateh - Yarem (Nefes) Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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    Lyrics: Aqşin Fateh
    Music: Aqşin Fateh
    Arrangement: Loğman Yusub

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