Eypio - Ya Evde Yoksan - Chord

Key E major – C# minor Chords Abm, A, F#m, Dbm Easy key C (capo 4)

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Capo 0

Abm            A   Abm
Ömrümün bu aralar kışındayım
                   A    Dbm  Abm
Ak düşse saçıma bu genç yaşımda
                  A    Abm
Düşsün çekeriz eğer suçumsa
                   A    F#m  Abm
Yerim dost için dinamiti lokumsa

Abm                  A           Abm
Dokunma derdim var burda rapin membaa
                     A      Dbm     bm
Armut dedin çıkma onun hep elinde elma
                       A      Abm
Kafam bozuksa attım kağıda parmağı
                             A   F#m  Abm
İğne batsa zannediyo gerdiler çarmağa

Abm                     A          Abm
Arada yazıyorum ve var bi çizen armağan
                      A     Dbm    Abm
Prenses arar öpecek yok ki tek bi kurbağa
                       A   Abm
Dereyi göremeden sıvarsın paçanı ırmağa
                         A   F#m   Abm
Hepte kalbi kırmaya var meyil ısırmaya

Abm                    A         Abm
Ayaklı gazetenle üstelikte kırkayak
                         A    Dbm   Abm
Bi söyle ney ki derdin bizde onu bi anlayak
                      A  Abm
Uslanmayana var dayak maniyle tek kıyak
                          A    F#m   
Canlı ver onu biz sayakta yıktı kuponu ilk ayak

Abm                  A        Abm
Atın neresine söyle kondu kelebek
                       A   Dbm   Abm
Gerekli elemek ama yetmiyor ki dilemek
                       A  Abm
Bence denemek gerekli ver ona bi emek
                        A   F#m   Abm
Şarttır yazmadan önce kalemi bilemek

Abm            A   Abm
Ömrümün bu aralar kışındayım
                   A    Dbm  Abm
Ak düşse saçıma bu genç yaşımda
                  A    Abm
Düşsün çekeriz eğer suçumsa
                   A    F#m  Abm
Yerim dost için dinamiti lokumsa

Abm                A          Abm
Böyle yazanların hepte kafada noksan
                          A   Dbm  Abm
Alaca karanlıklarında ışığı yaksam
                          A  Abm
Bıraksan istediğim gibi ben akşam
                         A   F#m   Abm
Kapını raple çaldım ya evde yoksan

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Eypio - Ya Evde Yoksan Tabs

NotesX

Harmony analysis

Eypio – Ya Evde Yoksan: key and chord analysis

The song opens on Abm and ends on Abm. Its chords belong to both E major and C#m, so every chord below is read both ways.

Major view

E major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D# (leading tone, pulls home)
4 = A (the note that leans on the 3rd)

Minor view

C# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = A (the minor's melancholy)
b7 = B (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C# minor side because C#m is heard 6 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from E major
Degree	Chord	Role	Notes	In song
I	E	Tonic — home	E · G# · B	—
ii	F#m	Supertonic — prepares the dominant	F# · A · C#	7×
iii	Abm	Mediant — a tonic-family shade	Ab · Cb · Eb	33×
V/vi	G#	Secondary dominant V/vi — leads to Dbmsecondary dominant	G# · B# · D#	—
IV	A	Subdominant — moves away from home	A · C# · E	27×
V	B	Dominant — strongest pull home	B · D# · F#	—
vi	Dbm	Relative minor — the melancholy side	Db · Fb · Ab	6×
vii°	D#dim	Leading-tone chord — tension	D# · F# · A	—

Seen from C# minor
Degree	Chord	Role	Notes	In song
i	Dbm	Tonic — home	Db · Fb · Ab	6×
ii°	D#dim	Supertonic — prepares the dominant	D# · F# · A	—
III	E	Relative major — the bright side	E · G# · B	—
iv	F#m	Subdominant — moves away from home	F# · A · C#	7×
v	Abm	Minor dominant — soft pull	Ab · Cb · Eb	33×
V	G#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G# · B# · D#	—
VI	A	Submediant — warm colour	A · C# · E	27×
VII	B	Subtonic — steps back to the tonic	B · D# · F#	—

Analysis

The key pair is E major and its relative C# minor (4 sharps). 4 different chords appear 73 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

A Dbm EIV → vi C#mVI → iVI → i ×6

The move to watch is A → Dbm, heard 6 times. From the C#m side it is VI → i (VI → i: falls a half step into home); from the E side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With E major shapes

No capo — open E shapes
Capo 2 + D shapes
Capo 4 + C shapes

With C# minor shapes

Capo 4 + Am shapes

Easiest keys on guitar

4 semitones down · capo 4 keeps the original pitch
3 semitones up

The song's harmonic story

The first chord is Abm; the ear learns where home is within a second. Abm, A, F#m, Dbm carry the song: iii–IV–ii–vi relative to E, v–VI–iv–i relative to C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on A → Dbm (IV → vi in E, VI → i in C#m): VI → i — falls a half step into home. It closes on Abm, letting the E side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.