Eypio - Sabah Olmadan Güllü - Chord

Key Eb major – C minor Chords Fm7, Gm7 Easy key C (capo 3)

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Capo 0

Fm7  Gm7  Fm7  Gm7

    Gm7         Fm7
Bir bak durumum oldukça net
    Gm7              Fm7
Hep yolumda bent var kalbimde stent
      Gm7                    Fm7
Söyle böyle aşka gidip neden almadın patent
Gm7                    Fm7
Yürüyen bir ceset gibi olmuşum paket
Gm7                    Fm7
Belki sabahları görmem ben de bir müddet
Gm7                   Fm7
Aynalara baktığım hep aynı gudubet
Gm7                    Fm7
Senin bakışların kızım yıkar hükümet
Gm7                      Fm7
Gözyaşlarımdan mı bilmem odam rutubet
Gm7                     Fm7
Yandım yardım et sensiz ben bir yığın et
Gm7                    Fm7
Her gün nezaret gibi neden bu esaret
Gm7                   Fm7
Yetişirdim ben sana etsemdi cesaret
Gm7                      Fm7
Bu sabah da doğmaz güneş varsa adalet

Gm7       Fm7       Gm7     Fm7
Gözlerimde senin gözlerin kaldı
Gm7      Fm7       Gm7    Fm7
Ellerimde senin ellerin kaldı
  Gm7      Fm7      Gm7     Fm7
Giden yıllarımda yıllarım kaldı
  Gm7     Fm7       Gm7  Fm7
Seni düşündüm sabah olmadan
  Gm7     Fm7       Gm7  Fm7
Seni düşündüm sabah olmadan

Gm7     Fm7      Gm7     Fm7
Rüyamda gördüm seni bu gece
Gm7    Fm7      Gm7   Fm7
Hemen uyandım sabah olmadan
Gm7        Fm7       Gm7  Fm7
Gözyaşlarım birden boşalıverdi
  Gm7     Fm7       Gm7  Fm7
Seni düşündüm sabah olmadan

Gm7       Fm7       Gm7     Fm7
Gözlerimde senin gözlerin kaldı
Gm7      Fm7       Gm7    Fm7
Ellerimde senin ellerin kaldı
  Gm7      Fm7      Gm7     Fm7
Giden yıllarımda yıllarım kaldı
  Gm7     Fm7       Gm7  Fm7
Seni düşündüm sabah olmadan
  Gm7     Fm7       Gm7  Fm7
Seni düşündüm sabah olmadan

Gm7                  Fm7
Damlayan oğlum benim elimdeki kan
Gm7                 Fm7
Bu gece çalıyor lan Güllü’den makam
Gm7                     Fm7
Gözlerinden başka benim kalmadı tasam
     Gm7                   Fm7
Beni aldılar içeriye bak sabah olmadan

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Eypio - Sabah Olmadan Güllü Tabs

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Harmony analysis

Eypio – Sabah Olmadan Güllü: key and chord analysis

The song opens on Fm7 and ends on Fm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii7	Fm7	Supertonic — prepares the dominant	F · Ab · C · Eb	46×
iii7	Gm7	Mediant — a tonic-family shade	G · Bb · D · F	46×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	—
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv7	Fm7	Subdominant — moves away from home	F · Ab · C · Eb	46×
v7	Gm7	Minor dominant — soft pull	G · Bb · D · F	46×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	—
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 92 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

Starting on Fm7, the song gives away its key from the very first bar. The backbone is Fm7, Gm7 — ii7–iii7 from the Eb side, iv7–v7 from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Fm7; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.