Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Key E major – C# minor Chords C#m, A, B Easy key G
C#m A B
C#m A B
Ya ya ya Coco Jamboo ya ya ye
C#m A B
C#m A B
Ya ya ya Coco Jamboo ya ya ye
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, take my heart
A B
And make me happy
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, feel my heart
A B
And make me happy
C#m
Here we go, gettin' smooth to the groove
A B
Watching lovely ladies, as I smooth as I move
C#m
'Cause that's what they say, but I can't prove
A B
So turn it up again and watch me move to the groove
C#m
As we get close, you whisper coco
A B
I hold you in my arms and you say Jamboo
C#m
Scream and shout, turn and say Colombo
A B
Now I gotta go, so coco
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, take my heart
A B
And make me happy
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, feel my heart
A B
And make me happy
C#m A B
Ya ya ya Coco Jamboo ya ya ye
C#m A B
C#m
That's the way I treat dem girls, kinda smooth, see
A B
'Cause there's one man and yo, well that's me, see
C#m
So let me show you round while you sip your tee gee
A B
But no coco loco, boom, while I take a pee leak
C#m
When I hold my baby, she says I do it nicer
A B
I like my chicken with rice and lemonade and
C#m
That's what you get, when she shouts out Jamboo
A B
Now I gotta go, yo coco
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, take my heart
A B
And make me happy
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, feel my heart
A B
And make me happy
C#m A B
Ya ya ya Coco Jamboo ya ya ye
C#m A B
Ya ya ya Coco Jamboo ya ya ye
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, take my heart
A B
And make me happy
C#m
Put me up, put me down
A B
Put my feet back on the ground
C#m
Put me up, feel my heart
A B
And make me happy
C#m A B
Ya ya ya Coco Jamboo ya ya ye (Coco Jamboo)
End of song Play again?
Harmony analysis
The song opens on C#m and ends on B. Its chords belong to both E major and C#m, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because it opens on C#m and C#m is heard 33 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | — |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | — |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | 33× |
| V | B | Dominant — strongest pull home | B · D# · F# | 33× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 33× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 33× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | — |
| v | G#m | Minor dominant — soft pull | G# · B · D# | — |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | 33× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 33× |
The key pair is E major and its relative C# minor (4 sharps). 3 different chords appear 99 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is A → B, heard 33 times. From the C#m side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the E side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on C#m, the song gives away its key from the very first bar. The backbone is C#m, A, B — vi–IV–V from the E side, i–VI–VII from the C#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on A → B (IV → V in E, VI → VII in C#m): VI → VII — the rising step that heads for the tonic. Ending on B, the song seals E as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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