Eypio - Umudum Kalmadı - Chord

Key Gb major – Eb minor Chords Db, Ebm, B Easy key G

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Capo 0

Ebm   Db   Ebm   Db
Ebm   Db   B     Db

Ebm           Db           Ebm                Db 
Umudum kalmadı korkuyorum, bilmem anladın mı bilmem hiç
Ebm              Db   B              Db
Yanında kalmadığımı, bi tane yaksam çeksem içime
Ebm           Db           Ebm              Db 
Onla kalsam olmadı e tabi, yanınca yalnız yanmalı
Ebm               Db     B             Db 
Devirdiler tüm sandalı, basın görme skandalı

Ebm               Db         Ebm           Db 
Çek kafaları da yarasın, yarası olan bizi arasın
Ebm                  Db      B                Db 
Var sözlerimin bir manası, gelip liriklerimi çalasın

Ebm               Db          Ebm             Db 
Bu normal değil ahtım olsun, yazcam kalem gönlün olsun
Ebm              Db         B             Db 
Beni tek sen anlıyorsun, diyorum kendime geçmiş olsun
Ebm             Db            Ebm                Db 
Yazdım yazdım yazdım azdım, kızdım ama gene de yazdım
Ebm              Db          B            Db 
Bilsinler ki yerimi kazdım, baskınlara diyoduk astım
Ebm            Db            Ebm             Db
Azdım azdım azdım yazdım, sözdüm, sazdım, kıştım yazdım
Ebm             Db           B             Db
Küstüm, üzdüm hep dolaştım, gezdin gözdün arpalaştın

Ebm                           Db                  Ebm
Tetiğe bastın konuştum astın, evine baskın içeri attın
                     Db                     Ebm
Elini kaldır başına koy, yerimi yaktın sana ne yaptım
               Db                 B
Ters kelepçe taktın, üç gün orda yattım
              Db                Ebm
Sanma birini sattım, sorguda ter attım

Ebm                Db                  Ebm 
Katla yatla değil, kefeni katla cebine koy
                    Db
Yürü yaşıyan herkes ölür gün gelir
Ebm                       Db
Tabi herkes birinin dölü, herkesin de farklı yönü
B                   Db
Gerçekleri duyunca, zannetmiştim buldum yönü

Ebm                       Db
Park etmedim çokta kalbe, kalp değil o dükkan önü
Ebm                      Db
Sağcı soldu değil önce insan ölür, 
        Ebm                      Db
Bazısı görmez ama demez ki ben körüm
                     B                Db
Önüm sağım solum sobe, oyun değil ölüm dönün yoldan görün

Ebm                                        Db             Ebm
Örün kaderin ağlarını da görün, beklediğimi görün mezar yaptılar
               Db
Gördüm üstelikte dönüm dönüm,
Ebm                     Db
Hayallerimle gittim bir ben döndüm ölümden
B                                       Db
Umutlarımın hepsinin naaşı kalktı önümden

Ebm            Db          Ebm                Db 
Umudum kalmadı korkuyorum, bilmem anladın mı bilmem hiç
Ebm              Db   B             Db 
Yanında kalmadığımı, bi tane yaksam çeksem içime
Ebm           Db           Ebm              Db 
Onla kalsam olmadı e tabi, yanınca yalnız yanmalı
Ebm               Db     B             Db 
Devirdiler tüm sandalı, basın görme skandalı

Ebm               Db         Ebm           Db 
Çek kafaları da yarasın, yarası olan bizi arasın
Ebm                  Db      B                Db 
Var sözlerimin bir manası, gelip liriklerimi çalasın

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Eypio - Umudum Kalmadı Tabs

NotesX

Harmony analysis

Eypio – Umudum Kalmadı: key and chord analysis

The song opens on Ebm and ends on Db. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 43 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	—
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	—
IV	B	Subdominant — moves away from home	B · D# · F#	14×
V	Db	Dominant — strongest pull home	Db · F · Ab	56×
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	43×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	43×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
v	Bbm	Minor dominant — soft pull	Bb · Db · F	—
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	B	Submediant — warm colour	B · D# · F#	14×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	56×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 113 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Db Ebm GbV → videceptive cadence EbmVII → iAeolian arrival ×41
B Db GbIV → VIV → V EbmVI → VIIVI → VII ×14

The move to watch is Db → Ebm, heard 41 times. From the Ebm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Gb side it reads V → vi (deceptive cadence: expected Gb, lands on Ebm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Ebm; the ear learns where home is within a second. Db, Ebm, B carry the song: V–vi–IV relative to Gb, VII–i–VI relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Ebm (V → vi in Gb, VII → i in Ebm): Aeolian arrival — rises a whole tone into home. Ending on Db, the song seals Gb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.