Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Key Gb major – Eb minor Chords Ebm, Bbm, Db, B, Bm Easy key C (capo 6)
Ebm Db Bbm B
Ebm Db Bbm
Ebm
Azizam
Bbm B Ebm Db
Meet me on the floor tonight
Bbm B Ebm Db
Show me how to move like the water
Bbm B Ebm
In between thе dancing lights
Db Bbm
Be mine, be minе
B Ebm
Azizam
Ebm
I wanna be nowhere but here with you now
Db Bbm B
I wanna be one in the space
Ebm Db Bbm B Ebm
I wanna be tangled and wrapped in your couch
Db Bbm B
I wanna be closer to your face
Ebm Db Bbm B
Tomorrow can wait, there's a time in this place
Ebm Db Bbm B
'Til the sun is away, like a magnet on me
Ebm Db Bbm B
I don't care what they say, we can do it our way
Ebm Db Bbm
And if love's just a game, then come and play
Ebm Db
Azizam
Bbm B Ebm Db
Meet me on the floor tonight
Bbm B Ebm Db
Show me how to move like the water
Bbm B Ebm
In between thе dancing lights
Db Bbm
Be mine, be minе
B Ebm Db Bbm B
Azizam
Ebm Db Bbm
B Ebm Db Bbm B Ebm Db Bbm
Azizam
B
Azizam
B Bm
I wanna get lost in your ocean and drown
Db Bbm B
I wanna be careless and free
Ebm Db Bbm B Ebm
I wanna live here in the moment we've found
Db Bbm B
I wanna be all that you see
Ebm Db Bbm B
Tomorrow can wait, there's a time in this place
Ebm Db Bbm B
'Til the sun is away, like a magnet on me
Ebm Db Bbm B
I don't care what they say, we can do it our way
Ebm Db Bbm
And if love's just a game, then come and play
Ebm Db
Azizam
Bbm B Ebm Db
Meet me on the floor tonight
Bbm B Ebm Db
Show me how to move like the water
Bbm B Ebm
In between thе dancing lights
Db Bbm
Be mine, be minе
B Ebm Db
Azizam
Bbm B Ebm Db
Meet me on the floor tonight
Bbm B Ebm Db
Show me how to move like the water
Bbm B Ebm
In between thе dancing lights
Db Bbm
Be mine, be minе
B Ebm Db Bbm B
Azizam
Ebm Db Bbm
B Ebm Db Bbm B Ebm Db Bbm
Azizam
B
Azizam
End of song Play again?
Harmony analysis
The song opens on Ebm and ends on B. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 40 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | — |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 40× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 38× |
| iv | Bm | Minor iv — borrowed from the parallel minorborrowed chord | B · D · F# | 1× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 39× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 40× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 40× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | — |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 40× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 38× |
| vi | Bm | Chromatic colour chordoutside the key | B · D · F# | 1× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 39× |
The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 158 times in total; 4 of them sit naturally inside the shared scale. Bm is borrowed from the parallel minor, adding a darker shade to the major side.
The move to watch is B → Ebm, heard 35 times. From the Ebm side it is VI → i (VI → i: falls a half step into home); from the Gb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Ebm; the ear learns where home is within a second. The chords that keep coming back are Ebm, Bbm, Db, B; read them as vi–iii–V–IV in Gb or i–v–VII–VI in Ebm. Bm briefly darkens the picture: minor iv — borrowed from the parallel minor. Keep an ear on B → Ebm (IV → vi in Gb, VI → i in Ebm): VI → i — falls a half step into home. It closes on B, letting the Gb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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