Çağla - Seni Düşündüm - Doğu Swag - Chord

Key Ab major – F minor Chords Cm, Fm, Db, Eb, Bbm Easy key C

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Capo 0

Cm  Fm  Bbm  Eb  Eb  Cm  Bbm  Cm
x2

Cm      Fm     Db        Cm
Bu gece gözümü uyku tutmadı
         Fm        Db         Cm
Bir seni düşündüm, bir de kendimi
        Fm       Db        Cm
Saatler dolmadı, sabah olmadı
         Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

Cm  Fm  Bbm  Eb  Eb  Cm  Bbm  Cm
x2

Cm               Fm
Güneşi görmeyeli günler oldu
        Bbm                     Cm
Derdimi dinler oldu duvarlar ya harbi zordu
                                 Db
Bir seni düşündüm de kendimi çoktan unuttum
          Bbm                  Cm
Bir yerde düşürdüm uykularım bulunmaz oldu
                            Fm
Acılar arsız bugün dünümden farksız
              Bbm                   Cm
Nefes alan bi cansız, vurulmuş hep apansız
                                 Db
Bir yanı seni özlüyor bir yanı kararsız
              Bbm                 Cm
Tamam her şey çok güzeldi ilk sigaram kadar da tatsız

Cm         Fm     Eb         Db
Susamışken gönlüm aşka, sevgiye
Cm         Fm    Db         Cm
Yitirdim aklımı, döndüm deliye
            Fm     Eb        Db
Bu kadar haksızlık olur mu diye
Cm       Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

Cm          Fm     Eb        Db
Bu kadar haksızlık olur mu diye
Cm       Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

Cm  Fm  Bbm  Eb  Eb  Cm  Bbm  Cm
x2

Cm    Fm       Eb       Db
İçime hasretin dolup taştıkça
         Fm      Db       Cm
Gözlerim boşluğa bakıp daldıkça
       Fm      Db        Cm
O eski günleri hatırladıkça
         Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

Cm                        Fm           
Göz yumansa kör müdür sen öyle sanınca
        Eb                  Db                     Cm
Ayıkken unutamadım o yüzden sarhoşum her akşam olunca
             Fm                  Eb
İçimde koptu çığlıklar öyle susunca
       Db           Cm
Defalarca kandırılınca 

Cm           Fm              Eb              Db             Cm
Seni unutuyorum diye avutuyorum kendimi bi yalanla sonu görücez
     Fm           Eb                   
Ayrı yerlerde gülücez
           Db                    Cm
Dargın yaşadık sanırım dargın ölücez

Cm         Fm     Eb         Db
Susamışken gönlüm aşka, sevgiye
Cm         Fm    Db         Cm
Yitirdim aklımı, döndüm deliye
            Fm     Eb        Db
Bu kadar haksızlık olur mu diye
Cm       Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

Cm          Fm     Eb        Db
Bu kadar haksızlık olur mu diye
Cm       Fm        Db          Cm
Bir seni düşündüm, bir de kendimi

End of song Play again?

Çağla - Seni Düşündüm - Doğu Swag Tabs

NotesX

Harmony analysis

Çağla – Seni Düşündüm - Doğu Swag: key and chord analysis

The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because Fm is heard 29 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	10×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	45×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	26×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	17×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	29×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	29×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	10×
v	Cm	Minor dominant — soft pull	C · Eb · G	45×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	26×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	17×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 127 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Cm Fm Abiii → vi Fmv → inatural-minor cadence ×28
Bbm Eb Abii → Vii → V Fmiv → VII ×3
Db Fm AbIV → vi FmVI → iVI → i ×1

The move to watch is Cm → Fm, heard 28 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The first chord is Cm; the ear learns where home is within a second. The chords that keep coming back are Cm, Fm, Db, Eb; read them as iii–vi–IV–V in Ab or v–i–VI–VII in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. The final chord is Cm; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Çağla - Seni Düşündüm - Doğu Swag Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Yılmaz Tatlıses , Doğu Swag

Music: Burhan Bayar, Doğu Swag

Arrangement: Berk Arda Büken

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