Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Sena Şener - Defolup Gidelim - Chord
Key Gb major – Eb minor Chords Bmaj7, Db, Ebm, Abm Easy key G
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Db Bmaj7
Yok olmak istiyorum
Ebm Db Bmaj7
Senin kollarında, bi deniz kıyısında
Ebm Db Bmaj7
Çırılçıplak kalalım soyunup geçmişi
Ebm Db Bmaj7
Bizi anlamaz onlar
Ebm Db Bmaj7
Yok olmak istiyorum
Ebm Db Bmaj7
Senin rüzgarınla, bi Ege adasında
Ebm Db Bmaj7
Sırılsıklam olalım durdurup her şeyi
Ebm Db Bmaj7
Bizi anlamaz onlar
Bmaj7 Db Ebm
Hiiiiiiiiç düşündüğüm gibi gitmedi işler
Bmaj7 Db Bmaj7
Hiiiiiiiiç istemezdim böyle olmayı
Bmaj7 Db
Sen ve ben
Ebm Abm
Buraya ait değiliz bebeğim
Db Bmaj7
Bırakıp her şeyi
Ebm Db Bmaj7
Defolup gidelim
Ebm Db Bmaj7
Defolup gidelim
Ebm Db Bmaj7
Yok olmak istiyorum
Ebm Db Bmaj7
Parmak uçlarında, serin bi yaz akşamında
Ebm Db Bmaj7
Nefes nefese kalalım susturup durdurup her şeyi
Ebm Db Bmaj7
Bizi anlamaz onlar
Bmaj7 Db Ebm
Hiiiiiiiiç düşündüğüm gibi gitmedi işler
Bmaj7 Db Bmaj7
Hiiiiiiiiç istemezdim böyle olmayı
Bmaj7 Db
Sen ve ben
Ebm Abm
Buraya ait değiliz bebeğim
Db Bmaj7
Bırakıp her şeyi
Ebm Db Bmaj7
Defolup gidelim
Ebm Db Bmaj7
Defolup gidelim
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Sena Şener - Defolup Gidelim Tabs
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Harmony analysis
Sena Şener – Defolup Gidelim: key and chord analysis
The song opens on Ebm and ends on Bmaj7. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 20 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 2× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IVmaj7 | Bmaj7 | Subdominant — moves away from home | B · D# · F# · A# | 26× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 24× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 20× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 20× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 2× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VImaj7 | Bmaj7 | Submediant — warm colour | B · D# · F# · A# | 26× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 24× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 4 different chords appear 72 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bmaj7 Ebm GbIVmaj7 → vi EbmVImaj7 → iVI → i ×15
- Bmaj7 Db GbIVmaj7 → VIV → V EbmVImaj7 → VIIVI → VII ×6
- Db Ebm GbV → videceptive cadence EbmVII → iAeolian arrival ×4
- Abm Db Gbii → Vii → V Ebmiv → VII ×2
The move to watch is Bmaj7 → Ebm, heard 15 times. From the Ebm side it is VImaj7 → i (VI → i: falls a half step into home); from the Gb side it reads IVmaj7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Ebm; the ear learns where home is within a second. Bmaj7, Db, Ebm, Abm carry the song: IVmaj7–V–vi–ii relative to Gb, VImaj7–VII–i–iv relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bmaj7 → Ebm (IVmaj7 → vi in Gb, VImaj7 → i in Ebm): VI → i — falls a half step into home. The final chord is Bmaj7; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sena Şener - Defolup Gidelim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sena ŞenerMusic: Sena ŞenerArrangement: Sena Şener
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