Mavi Solman - Sen ve Yıldız - Chord

Key Db major – Bb minor Chords Db, Fm, Bbm, Gb, Ab Easy key C (capo 1)

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Capo 0

Db  Fm  Bbm  Gb

Db
Rüyalarım izlerinle dolu
Fm
Dans ediyor ve izliyorum onu
Bbm
Bütün gece içip dağıtalım
Gb
Geçmişimizi unutalım

Db 
Daha tanımadın sen beni
Fm
Tırnak izleriyle dolu her yerim
Bbm
Ama bütün gece içip dağıtalım
Gb
Geçmişimizi unutalım
 
Db                        Fm
Aynı kare iki kişi sen ve yıldız
                               Bbm
Bu gece tek işim unutana kadar içmek
                             Gb
Bırakalım sadece gözlerimizi yalnız
                        Db
Yalanları uyanana kadar beklet
 
                        Fm
Bir tek iki kişi sen ve yıldız
                               Bbm
Bu gece tek işim unutana kadar içmek
                       Gb
Bırak sadece gözlerini benle
                       Db
Konuşmak için uyanmayı bekle

Db
Rüyalarım izlerinle dolu
Fm
Dans ediyor ve izliyorum onu
Bbm
Bütün gece içip dağıtalım
Gb
Geçmişimizi unutalım

Db 
Daha tanımadın sen beni
Fm
Tırnak izleriyle dolu her yerim
Bbm
Ama bütün gece içip dağıtalım
Gb
Geçmişimizi unutalım
 
Db                      Fm
Ağrılarım birbirine giriyor
                        Bbm
İçin nasıl rahat olabiliyor
                       Gb
Başkasında bulamadım seni
                                Db
Ama başkaları buldu her şeyi bende

Db                      Fm
Ağrılarım birbirine giriyor
                        Bbm
İçin nasıl rahat olabiliyor
                       Gb
Başkasında bulamadım seni
                                Db
Ama başkaları buldu her şeyi bende

                        Fm
Yine iki kişi sen ve yıldız
                               Bbm
Bu gece tek işim unutana kadar içmek
                       Gb
Bırak sadece gözlerini yalnız
                        Db
Yalanları uyanana kadar beklet

                        Fm
Bir tek iki kişi sen ve yıldız
                               Bbm
Bu gece tek işim unutana kadar içmek
                       Gb
Bırak sadece gözlerini benle
                       Db
Konuşmak için uyanmayı bekle

Db             Fm         Bbm        Gb
Sen üzüldüğünde, nefesindeyim alamadığın
Ab                  Fm
Çünkü geri döndüğünde
             Bbm
Aynı ben değilim
              Gb
Ama kolay olmadı

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Mavi Solman - Sen ve Yıldız Tabs

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Harmony analysis

Mavi Solman – Sen ve Yıldız: key and chord analysis

The song opens on Db and ends on Gb. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Db major side because it opens on Db and Db is heard 15 times against 13 for Bbm. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	15×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	—
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	13×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	13×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	1×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	13×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	13×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	15×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	—
v	Fm	Minor dominant — soft pull	F · Ab · C	13×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	13×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	1×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 55 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×13
Gb Db DbIV → Iplagal cadence BbmVI → III ×11
Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×1

The move to watch is Fm → Bbm, heard 13 times. From the Db side it reads iii → vi; from the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Db lays a solid floor for everything that follows. The backbone is Db, Fm, Bbm, Gb — I–iii–vi–IV from the Db side, III–v–i–VI from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. The final chord is Gb; the ear comes to rest in Db.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Mavi Solman - Sen ve Yıldız Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Mavi Solman

Music: Mavi

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