Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Mavi Solman - Gözlerindeki Ay - Chord
Key Db major – Bb minor Chords Ebm, Gb, Fm Easy key D
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Key: Db | A#m | Bbm
Capo: 0
Gb Ebm Fm
Gb Ebm Fm
Gözlerindeki ay, kalbindeki yaralar
Sen bi’ düzen bi’ bozansın yansın ay
Gb Ebm
Güneşten güzelsin, göğsündeki dar
Fm
Gençliğindeki anılar
Sen fani bi’ bedensin lakin gece aydan da güzelsin
Gb Ebm
Sen de biliyo’sun zaman hep aynı akmaz
Fm
Görebiliyosun bunu büyüyünce yalnız
Ebm
Aynadaki de hatalı düşününce daha çok
Gb
Aynadakine diyo’sun oluyo’ mu böyle
Gb Ebm
Senin sesinle karanlık rüyamdan uyandım
Fm
Ve gerekirse seninle uyurum bi’ anda
Ebm
Olmalısın kızım doğmalısın aynı anda benle
Gb
Ağrıların sızı değil ağrıların bandaj
Ebm
Acım para yapıyo’sa’ biraz daha kal benle
Fm
Gündüz unutuyo’san geceyi aklın nerde
Ebm
Aydan daha güzelsin bunun bu denlisi yanlış
Gb
Kalbimin parçalarının her birininin var hızında artış
Ebm
Yaratılışın olmalı hikayeme rötuş
Fm
İstiyorum sadece gölgelerinde yatış
Ebm
Hastane sedyelerinden otuz kere kalktım
Gb
Geceleri gözlerime ışıldar
Gb Ebm Fm
Gözlerindeki ay, kalbindeki yaralar
Sen bi’ düzen bi’ bozansın yansın ay
Gb Ebm
Güneşten güzelsin, göğsündeki dar
Fm
Gençliğindeki anılar
Sen fani bi’ bedensin lakin gece aydan da güzelsin
Gb
Sa-kin ol
Ebm
Sa-kin-kin-kin
Fm Ebm
Sa-hip olduklarınla gü-zel-sin-sin-sin
Gb
Sensiz her yer siyah
Ebm
Sessiz gece sessiz
Fm
Tahminlerim yanıl-sama
End of song Play again?
Mavi Solman - Gözlerindeki Ay Tabs
NotesX
Harmony analysis
Mavi Solman – Gözlerindeki Ay: key and chord analysis
The song opens on Gb and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 16× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 11× |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 13× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 16× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 11× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 13× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 40 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on Gb, the song gives away its key from the very first bar. The backbone is Ebm, Gb, Fm — ii–IV–iii from the Db side, iv–VI–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Fm, letting the Db side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mavi Solman - Gözlerindeki Ay Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: MaviMusic: Mavi
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