Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Yener Çevik - Öyle Kal (Yıldız Tilbe) - Chord
Key B major – G# minor Chords D#m, E, G#m, C#m Easy key C
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Key: B | Abm | G#m
Capo: 0
D#m E C#m D#m D#m G#m Bir acı kuru kahve bi de demli çay D#m G#m Utanır ama olmaz kimse tövbekar E D#m Valizim göz yaşım, yağmur bi de kar E C#m İnsanım insan ulan sende öyle kal D#m G#m D#m G#m E D#m E C#m (Bu döngü rap kısımlarda tekrarlanır) Kimsenin gerçeklerle yüzleşmeye yüzü yok Başkasının arabasıyla parasıyla çekerler tiktok Bize dünya bıraktılar herkes açlığıyla tok tok Giden gitsin istediği yere biz gitmiycez yok yok Bi tek uçarken göç ederim hayatımdan da blok blok Anam babam eşim safir üstüm başım sen kok Hayat faça yiyen kolda kırık bardakla bango Yener aga sakat ayağıyla oynar kaderiyle tango Çöktü gece yazdım çizdim göz yaşımla tablo Sen bize ulaşaman koçum çünkü kesik kablo Rahat ol rahat ol olabildiğin kadar da rahat ol Gitceğin yer karambol yada şurda karakol D#m G#m D#m G#m E D#m E C#m (Bu döngü rap kısımlarda tekrarlanır) Onların dişlerin de çürük var benimkinde de kırık. Cama bascak ayaklarım var bütün dünyada tanık. Şurda birazcık kalıp çocukluğumu da izlicem Antidepresan falan da yok duvarları da dizlicem . Onu bunu giymicem canımın istediğini var bana. Ben sana bir şey sormuyom sen de sakın sorma bana. Bütün dünyada hüzün var saat dokuzu beş geçe . Yapayalnız kaldık ömür tabildottla tek gece Sana bir bilmecem var papatyayla da bahar hasım aşk biz de her zaman yalan yazan Kasım basım ansiklopedi vede duvarlarda yazım defansta biz varız bozlak çalar sazım . Bir acı kuru kahve bide demli çay Utanır ama olmaz kimse tövbekar Valizim göz yaşım, yağmur bi de kar İnsanım insan ulan sende öyle kal
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Yener Çevik - Öyle Kal (Yıldız Tilbe) Tabs
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Harmony analysis
Yener Çevik – Öyle Kal (Yıldız Tilbe): key and chord analysis
The song opens on D#m and ends on C#m. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G# minor side because G#m is heard 6 times while B never appears. That is an interpretation, not a rule — the same chords are just as valid seen from B major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | — |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | 4× |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | 11× |
| V/vi | D# | Secondary dominant V/vi — leads to G#msecondary dominant | D# · G · A# | — |
| IV | E | Subdominant — moves away from home | E · G# · B | 7× |
| V | F# | Dominant — strongest pull home | F# · A# · C# | — |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | 6× |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | 6× |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | — |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | 4× |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | 11× |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI | E | Submediant — warm colour | E · G# · B | 7× |
| VII | F# | Subtonic — steps back to the tonic | F# · A# · C# | — |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 4 different chords appear 28 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- D#m G#m Biii → vi G#mv → inatural-minor cadence ×6
The move to watch is D#m → G#m, heard 6 times. From the G#m side it is v → i (natural-minor cadence: gentle, modal arrival); from the B side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over D#m, land on D#, F#, A# — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 1 semitone up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
The opening D#m lays a solid floor for everything that follows. The chords that keep coming back are D#m, E, G#m, C#m; read them as iii–IV–vi–ii in B or v–VI–i–iv in G#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D#m → G#m (iii → vi in B, v → i in G#m): natural-minor cadence — gentle, modal arrival. Ending on C#m, the song seals B as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yener Çevik - Öyle Kal (Yıldız Tilbe) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yener ÇevikMusic: Seçil Çevik (Safir)Arrangement: Burak Keskin (Catwork)
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