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Ozbi - Beni Sev (Gülce Duru) - Chord

Key F major – D minor Chords Dm, Bbmaj7, C, Gm Easy key G

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Capo 0 
Dm
Bu gece
  C        Bbmaj7  Dm
Yalanlar sarmış gibiyim
  C        Bbmaj7  Dm
Gözünden görmüş gibiyim
  C        Bbmaj7  Dm
Yolumdan çıkmış gibiyim
  C        Bbmaj7  Dm
Zamandan kopmuş gibiyim

Dm
Bok var sanki her gün düşünüyorum ben
  C                      Bbmaj7
Kafamdakilere kaç gündür kuruluyorum ben
    Dm
Çok anlam arıyorum evet hep bölünüyorum sen
C                      Bbmaj7
Uzatırken rakı bardağa dökülüyorum ben

        Dm
Yok yok yok, der içine sor ne diyor bi bak
Gm             Bbmaj7
Kayboluyorum ondan söz edince
Dm
Sallanıyor kafam savruluyor sözüm
Gm            Bbmaj7
Dalgalanıyor yine dörtte üçüm bi görsen

Dm
Ben, uğruna her her şeyi göze aldım
Gm    Bbmaj7  Dm
Of of oooooof of
Dm
Senin için ölmüşlüğe adım attım
Gm    Bbmaj7  Dm
Of of oooooof of
Dm
Bi gelsen bana çatlar bi fay hattım
Gm    Bbmaj7  Dm
Of of oooooof of
Dm
Bu yangındaki rüzgara uçar aklın
Gm    Bbmaj7  Dm
Of of oooooof of

  C         Bbmaj7   Dm
Yalandan yıldım beni sev
  C         Bbmaj7        Dm
Gözümden görmüş gibi beni sev
  C          Bbmaj7   Dm
Yolundan çık gel beni sev
  C        Bbmaj7         Dm
Zamandan kopmuş gibi beni sev

Dm              C
Sorular çok karışık
            Bbmaj7         Dm
Bi umut sarılır kalbim birine
                 C
Cevaplar hep sırıtır
        Bbmaj7             Dm
Zaman durur mu yanayım dilime
                      C     Bbmaj7     Dm
Kimim ben bi sarhoş gibi ararım sevgilimi

Bu beden yenik değil
C         Bbmaj7      Dm
Elbet çözerim dertlerimi 

      C       Bbmaj7   Dm
Kör değilim bakanlar kadar
      C      Bbmaj7   Dm
Zor değilim ölenler kadar
  C        Bbmaj7   Dm
Yalanlar yalanlar sarar
  C        Bbmaj7  Dm
Kalanlar kalanlar arar

  C         Bbmaj7   Dm
Yalandan yıldım beni sev
  C         Bbmaj7        Dm
Gözümden görmüş gibi beni sev
  C          Bbmaj7   Dm
Yolundan çık gel beni sev
  C        Bbmaj7         Dm
Zamandan kopmuş gibi beni sev

End of song Play again?

Ozbi - Beni Sev (Gülce Duru) Tabs

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Harmony analysis

Ozbi – Beni Sev (Gülce Duru): key and chord analysis

The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = E (leading tone, pulls home)
  • 4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Bb (the minor's melancholy)
  • b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 34 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree Chord Role Notes In song
I F Tonic — home F · A · C —
ii Gm Supertonic — prepares the dominant G · Bb · D 6×
iii Am Mediant — a tonic-family shade A · C · E —
V/vi A Secondary dominant V/vi — leads to Dmsecondary dominant A · C# · E —
IVmaj7 Bbmaj7 Subdominant — moves away from home Bb · D · F · A 28×
V C Dominant — strongest pull home C · E · G 22×
vi Dm Relative minor — the melancholy side D · F · A 34×
vii° Edim Leading-tone chord — tension E · G · Bb —
Seen from D minor
Degree Chord Role Notes In song
i Dm Tonic — home D · F · A 34×
ii° Edim Supertonic — prepares the dominant E · G · Bb —
III F Relative major — the bright side F · A · C —
iv Gm Subdominant — moves away from home G · Bb · D 6×
v Am Minor dominant — soft pull A · C · E —
V A Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor A · C# · E —
VImaj7 Bbmaj7 Submediant — warm colour Bb · D · F · A 28×
VII C Subtonic — steps back to the tonic C · E · G 22×

Analysis

The key pair is F major and its relative D minor (1 flat). 4 different chords appear 90 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Bbmaj7 Dm FIVmaj7 → vi DmVImaj7 → iVI → i ×28

The move to watch is Bbmaj7 → Dm, heard 28 times. From the Dm side it is VImaj7 → i (VI → i: falls a half step into home); from the F side it reads IVmaj7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
  • Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
  • Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
  • Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With F major shapes

    • Capo 1 + E shapes
    • Capo 3 + D shapes
    • Capo 5 + C shapes

    With D minor shapes

    • No capo — open Dm shapes
    • Capo 5 + Am shapes

    Easiest keys on guitar

    • 2 semitones up
    • 5 semitones down · capo 5 keeps the original pitch

    The song's harmonic story

    The opening Dm lays a solid floor for everything that follows. The chords that keep coming back are Dm, Bbmaj7, C, Gm; read them as vi–IVmaj7–V–ii in F or i–VImaj7–VII–iv in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbmaj7 → Dm (IVmaj7 → vi in F, VImaj7 → i in Dm): VI → i — falls a half step into home. Ending on Dm, the song seals Dm as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Ozbi - Beni Sev (Gülce Duru) Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

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    Lyrics: Ozbi (Onur Dursun)
    Music: Ozbi
    Gülce Duru
    Enver Muhamedi
    Arrangement: Ozbi
    Barış Mert Peker
    Enver Muhamedi
    Ekin Cengizkan

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