Ozbi - Aysel (Gülce Duru) - Chord

Key Bb major – G minor Chords Gm, F, Cm, Eb Easy key G (capo 3)

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Capo 0

Gm  F  Cm  Eb 

Gm   F           Cm    Eb
Aysel gel masama dem kooy
Gm   F            Cm    Eb
Aysel ben yalanım sen zoor

Gm   F       Cm
Son yol niye yok
     Eb
Niye yok
Gm   F       Cm
Son yol niye yok
     Eb
Niye yok

     Gm        F       Cm    Eb        Gm
Yine yor, dünü sor ama ooo olan olmuş Aysel
 F          Cm      Eb
Olan olmuş Aysel, Aysel

Gm  F            Cm                   Eb
Son diyorsun ama çalan çok ömürden, dönen çok yeminden
Gm  F            Cm                  Eb                   Gm
Aşk diyorsun ama bir yağmur yağarken bir damla darılmış göğe
     F               Cm                  Eb                   Gm
Yine yalanlar sever, bir gerçek çocukken kırılmış, dağılmış diye
F   Cm   Eb                    Gm
Eeeeeeee bir gerçek dağılmış diye
   
       Gm
Kadere not düşün delirdim
                F                                     Cm 
Divanenin rengi koyu gri, montu deri, fareler kemirdi ruhunu, demirdi bedeni
                      Eb
Korktuğu yemindi paslanır diye her gece sarıp koynunda uyuttuğu
   Gm
Şu korkular, kırık bir kaç kalbin hatırası
F                                            Cm
Umutları dolandıran bi müptelanın hasılatı sanki
                                   Eb
Bilinç altı gerçekleri pataklıyor, duyguların yaşadığıysa dudaklarının ihtirası
Gm
Kaybettiğim irtifasın
    F
Bir kaç şiiri, biraz da alkol seninle irtibatım
Cm                                           Eb 
Belki de havada değilim battım, belki de abartıya boğulmuş halim şu alkolün iftirası
Gm                          F
Atilla İlhan verirken ilham, ismin Aysel oldu kadehe doldu bu akşam
Cm     
Lakin gitme sakın başımda kal
Eb
Çünkü hayalin benim için gerçek bir hatıra

Gm  F            Cm                   Eb
Son diyorsun ama çalan çok ömürden, dönen çok yeminden
Gm  F            Cm                  Eb                   Gm
Aşk diyorsun ama bir yağmur yağarken bir damla darılmış göğe
     F               Cm                  Eb                   Gm
Yine yalanlar sever, bir gerçek çocukken kırılmış, dağılmış diye
F   Cm   Eb                    Gm
Eeeeeeee bir gerçek dağılmış diye
   
Gm   F       Cm
Son yol niye yok
     Eb
Niye yok
Gm   F       Cm
Son yol niye yok
     Eb
Niye yok

     Gm        F       Cm    Eb        Gm
Yine yor, dünü sor ama ooo olan olmuş Aysel
 F          Cm      Eb
Olan olmuş Aysel, Aysel

End of song Play again?

Ozbi - Aysel (Gülce Duru) Tabs

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Harmony analysis

Ozbi – Aysel (Gülce Duru): key and chord analysis

The song opens on Gm and ends on Eb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 25 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	—
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	23×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	23×
V	F	Dominant — strongest pull home	F · A · C	23×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	25×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	25×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	—
iv	Cm	Subdominant — moves away from home	C · Eb · G	23×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	23×
VII	F	Subtonic — steps back to the tonic	F · A · C	23×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 4 different chords appear 94 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Eb Gm BbIV → vi GmVI → iVI → i ×22

The move to watch is Eb → Gm, heard 22 times. From the Gm side it is VI → i (VI → i: falls a half step into home); from the Bb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
2 semitones up

The song's harmonic story

The opening Gm lays a solid floor for everything that follows. The backbone is Gm, F, Cm, Eb — vi–V–ii–IV from the Bb side, i–VII–iv–VI from the Gm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Gm (IV → vi in Bb, VI → i in Gm): VI → i — falls a half step into home. The final chord is Eb; the ear comes to rest in Bb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Ozbi - Aysel (Gülce Duru) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Ozbi (Onur Dursun)

Music: Ozbi (Onur Dursun)
Gülce Duru

Arrangement: Ozbi
Enver Muhammedi
Umut Ünleyen
İlke Kızmaz
Ufuk Alkan

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