Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Evdeki Saat - Uzunlar - Chord
Key Bb major – G minor Chords Gm, Cm, Dm Easy key C
5,0 (1 votes)
or your user informations
Make it yours
Text size
Key: Bb | Gm
Capo: 0
Cm Gm Dm Gm
Cm
Ben köşeliydim
Gm
Hayat dedi düz olana yanaşırım
Dm Gm
Neydi bu, neydi bu?
Cm
Tamam dedim al ama
Gm
Ver bana mutluluğu barışalım
Dm Gm
Oldu mu, oldu mu
Cm
Uykusunda her biri
Gm
Yorma sakın kendini
Dm Gm
Anlatıp derdimizi onlara
Cm
Sen ben birkaç kişi
Gm
Bırakmışız bütün işi
Dm Gm
Vurmuşuz kendimizi yollara
Cm Gm
Uzunlar yanıyor arabamızda
Dm
Bu ışık hepimize fazla
Gm
Geceyi böler
Cm Gm
Bilmem ne olabilir aramızda
Dm
Bu ışık ikimize fazla
Gm
Arayı bozar
Cm
Denizde açıldı
Gm
Hayat dedi dön geriye bozuşuruz
Dm Gm
Neydi bu, neydi bu
Cm
Tamam boğulursam
Gm
Haber veririm o zaman konuşuruz
Dm Gm
Oldu mu, oldu mu?
Cm
Uykusunda her biri
Gm
Yorma sakın kendini
Dm Gm
Anlatıp derdimizi onlara
Cm
Sen ben birkaç kişi
Gm
Bırakmışız bütün işi
Dm Gm
Vurmuşuz kendimizi yollara
Cm Gm
Uzunlar yanıyor arabamızda
Dm
Bu ışık hepimize fazla
Gm
Geceyi böler
Cm Gm
Bilmem ne olabilir aramızda
Dm
Bu ışık ikimize fazla
Gm
Arayı bozar
End of song Play again?
Ritim: V1: A - A - Y Y A A Y A Y
V2: A Y A Y K - A Y A Y K - A Y A Y (Nakarat için)
V2: A Y A Y K - A Y A Y K - A Y A Y (Nakarat için)
Evdeki Saat - Uzunlar Tabs
/videos/evdeki-saat-uzunlar-tab.mp4
NotesX
Harmony analysis
Evdeki Saat – Uzunlar: key and chord analysis
The song opens on Cm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm and Gm is heard 26 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 13× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 13× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 26× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 26× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 13× |
| v | Dm | Minor dominant — soft pull | D · F · A | 13× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 3 different chords appear 52 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Gm Bbii → vi Gmiv → iminor plagal ×13
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×13
The move to watch is Cm → Gm, heard 13 times. From the Gm side it is iv → i (minor plagal: deep and melancholic); from the Bb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Cm, the song gives away its key from the very first bar. The backbone is Gm, Cm, Dm — vi–ii–iii from the Bb side, i–iv–v from the Gm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Gm (ii → vi in Bb, iv → i in Gm): minor plagal — deep and melancholic. It closes on Gm, letting the Gm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Evdeki Saat - Uzunlar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Eren AlıcıMusic: Eren AlıcıArrangement: Eren Alıcı
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.