Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Evdeki Saat - Sustum - Chord
Key Gb major – Eb minor Chords Bbm, Ebm, Abm Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Bbm Ebm Bbm
Abm Bbm Abm Bbm
Ebm Bbm
Sıkıldım buralardan ben
Ebm Bbm
Sıkıldım bu zamandan
Abm Bbm
Nereye gitsem, ne yana baksam
Abm Bbm
Çok haber aldım, azı güzel
Ebm Bbm
Uyanıyoruz artık çık
Ebm Bbm
Şu kafanın içinden
Abm Bbm
Yolunu bulsan, dayanabilsen
Abm Bbm
Senin içinde, seni arar
Ebm Bbm
Koş dedi koş dedi kaçana kadar
Ebm Bbm Abm Bbm
Yüksek dağları aşana kadar koştum
Abm Bbm
Koştum
Ebm Bbm
Sus dedi sus dedi geçene kadar
Ebm Bbm
Köprüyü geçtim göçene kadar
Abm Bbm Abm Bbm
Sustum, sustum
Ebm Bbm Ebm Bbm
Abm Bbm Abm Bbm
Ebm Bbm
Gündüzlerin hesabını
Ebm Bbm
Sorar mıyım gecelerden
Abm Bbm
Duvara vursam, düşeni ezsem
Abm Bbm
İçine atmak, kime yarar
Ebm Bbm
Uyanıyoruz artık çık
Ebm Bbm
Şu kafanın içinden
Abm Bbm
Yolunu bulsan, dayanabilsen
Abm Bbm
Senin içinde, seni arar
Ebm Bbm
Gül dedi gül dedi sonunda kadar
Ebm Bbm Abm Bbm
Nefesim bitti sanana kadar güldüm
Abm Bbm
Güldüm
Ebm Bbm
Boz dedi boz dedi yapana kadar
Ebm Bbm Abm Bbm
İnsanlar ona tapana kadar bozdum
Abm Bbm
Ebm Bbm Ebm Bbm
Abm Bbm Abm Bbm
Bozdum
End of song Play again?
Evdeki Saat - Sustum Tabs
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Harmony analysis
Evdeki Saat – Sustum: key and chord analysis
The song opens on Ebm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 22 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 22× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 44× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | Cb | Subdominant — moves away from home | Cb · Eb · Gb | — |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 22× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 22× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 22× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 44× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | Cb | Submediant — warm colour | Cb · Eb · Gb | — |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 88 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×21
The move to watch is Bbm → Ebm, heard 21 times. From the Ebm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Gb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Ebm, the song gives away its key from the very first bar. The chords that keep coming back are Bbm, Ebm, Abm; read them as iii–vi–ii in Gb or v–i–iv in Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Ebm (iii → vi in Gb, v → i in Ebm): natural-minor cadence — gentle, modal arrival. It closes on Bbm, letting the Gb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Evdeki Saat - Sustum Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Eren AlıcıMusic: Eren AlıcıArrangement: Eren Alıcı, Yüce Akın
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