Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Metin Işık - Ağla Gözüm - Chord
Key G major – E minor Chords Bm, Am, C, Em, D, G Easy key C (capo 7)
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Key: G | Em
Capo: 0
G Am Bm Ağla gözüm ağla ağla gülemem bugün G Am Bm Kana yaram kana kana sızlarsın bugün Em D Dertli sazım dertli dertli çalarım bugün Em C Am D Ağla gözüm, ağla ağla gülemem bugün Em D C Bm Ağla gözüm, ağla ağla gülemem bugün Bm Söz vermiştin bana kaç hafta oldu C Çok cumalar geçti ne görüşler bitti Bm Am Senden başka kimsem var mıydı benim yar Em Yar bana dağlar taşlar bile ağladı D Gardiyana sordum daha gelen olmadı C Am Bm Sen gittin gideli güneşim hiç doğmadı yar C Bm Bm Takatim kalmadı sabrım tükendi C Bir derdime bin dert yine eklendi Bm Am Saat 5 e 10 var bu cuma da bitti yar Em Yar bana dağlar taşlar bile ağladı D Gardiyana sordum daha gelen olmadı C Am Bm Sen gittin gideli güneşim hiç doğmadı yar C Am Bm Sen gittin gideli güneşim hiç doğmadı yar G Am Bm Burda esen hazan yeli mevsim sonbahar G Am Bm Gönül bahçemde kurudu nice umutlar Em D Yüreğimde tamiri yok çok hasarlar var Em C Am D Ağla gözüm, ağla ağla gülemem bugün Em D C Bm Ağla gözüm, ağla ağla gülemem bugün Arkadaşlar selam, kayda göre akorlar tam oturmuyorlar, kayıt eski olduğundan kaynaklanıyır olabilir, bir akort problemi ya da bir entonasyon sorunu var ama akorlar bu şekilde olmalı, siz söylerken akorlara uydurarak detone problemini ortadan kaldırmaya çalışın.
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Metin Işık - Ağla Gözüm Tabs
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Harmony analysis
Metin Işık – Ağla Gözüm: key and chord analysis
The song opens on G and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor because it opens on G and Em is heard 8 times against 4 for G. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 4× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 11× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 14× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 10× |
| V | D | Dominant — strongest pull home | D · F# · A | 8× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 8× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 8× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 4× |
| iv | Am | Subdominant — moves away from home | A · C · E | 11× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 14× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 10× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 8× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 55 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×4
- Am Em Gii → vi Emiv → iminor plagal ×2
- Bm Em Giii → vi Emv → inatural-minor cadence ×2
- Am D Gii → Vii → V Emiv → VII ×2
The move to watch is D → Em, heard 4 times. From the G side it reads V → vi (deceptive cadence: expected G, lands on Em); from the Em side it is VII → i (Aeolian arrival: rises a whole tone into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is G; the ear learns where home is within a second. The chords that keep coming back are Bm, Am, C, Em; read them as iii–ii–IV–vi in G or v–iv–VI–i in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D → Em (V → vi in G, VII → i in Em): deceptive cadence — expected G, lands on Em. Ending on Bm, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Metin Işık - Ağla Gözüm Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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