Zeynep Bastık - Bu Gece - Chord

Key C major – A minor Chords Am7, Dm7, F, Bm7b5, E7, Em7 Easy key G (capo 5)

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Capo 0

Not: E7 olarak gösteridiğimiz akor, aslında E7(#9) akoru olacak,
bu akor; "Mi dominant 7'li diyez 9" diye adlandırlılıyor, şu an için
yazılımımız gösterimini desteklemediği için açıklayalım istedik.
Şu şekilde basabilirsiniz;

E7(#9)
X--------|
B-----8--|
G-----7--|
D-----6--|
A-----7--|
X--------|

İyi eğlenceler...

Am7  Am7  F  F  Dm7  Dm7  Bm7b5  E7

Am7                         F
Al beni, götür kanatlarında bu gece
               Dm7
Uçurup diyar diyar sev beni sevilmediğim kadar
Bm7b5                E7
Unuttur yalnız yaşadığım her geceyi öyle gel

Am7                          F
Gör beni, bulup karanlıklarda sar biraz
                     Dm7
Ki doğmasın sabahlar, al sevgim hiç vermediğim kadar
Bm7b5                E7                       Am7
Unuttur yalnız yaşadığım her geceyi öyle gel, gel

Am7                   Em7
Sev, iste yeminler ederim aşka
                   Dm7
Belki bir daha hiç tutulmazlar
                   Bm7b5                   E7
İnanmasan bile gel, inandığım ne var ne yoksa
                 Am7
Hiç vermediğim kadar

Am7                          F
Gör beni, bulup karanlıklarda sar biraz
                     Dm7
Ki doğmasın sabahlar, al sevgim hiç vermediğim kadar
Bm7b5                E7                     Am7
Unuttur yalnız yaşadığım her geceyi öyle gel bu gece

Am7  Am7  F  F  Dm7  Dm7  Bm7b5  E7

Am7                         F
Al beni, götür kanatlarında bu gece
               Dm7
Uçurup diyar diyar sev beni sevilmediğim kadar
Bm7b5                E7
Unuttur yalnız yaşadığım her geceyi öyle gel

Am7                          F
Gör beni, bulup karanlıklarda sar biraz
                     Dm7
Ki doğmasın sabahlar, al sevgim hiç vermediğim kadar
Bm7b5                E7                       Am7
Unuttur yalnız yaşadığım her geceyi öyle gel, gel

Am7                   Em7
Sev, iste yeminler ederim aşka
                   Dm7
Belki bir daha hiç tutulmazlar
                   Bm7b5                   E7
İnanmasan bile gel, inandığım ne var ne yoksa
                 Am7
Hiç vermediğim kadar

Am7                         F
Al beni, götür kanatlarında bu gece
               Dm7
Uçurup diyar diyar sev beni sevilmediğim kadar
Bm7b5                E7                     Am7
Unuttur yalnız yaşadığım her geceyi öyle gel bu gece

End of song Play again?

Zeynep Bastık - Bu Gece Tabs

NotesX

Harmony analysis

Zeynep Bastık – Bu Gece: key and chord analysis

The song opens on Am7 and ends on Am7. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am, Am is heard 18 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii7	Dm7	Supertonic — prepares the dominant	D · F · A · C	12×
iii7	Em7	Mediant — a tonic-family shade	E · G · B · D	2×
V7/vi	E7	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B · D	10×
IV	F	Subdominant — moves away from home	F · A · C	10×
V	G	Dominant — strongest pull home	G · B · D	—
vi7	Am7	Relative minor — the melancholy side	A · C · E · G	18×
viiø7	Bm7b5	Leading-tone chord — tension	B · D · F · A	10×

Seen from A minor
Degree	Chord	Role	Notes	In song
i7	Am7	Tonic — home	A · C · E · G	18×
iiø7	Bm7b5	Supertonic — prepares the dominant	B · D · F · A	10×
III	C	Relative major — the bright side	C · E · G	—
iv7	Dm7	Subdominant — moves away from home	D · F · A · C	12×
v7	Em7	Minor dominant — soft pull	E · G · B · D	2×
V7	E7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B · D	10×
VI	F	Submediant — warm colour	F · A · C	10×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 62 times in total; 5 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E7 is V7/vi, a secondary dominant heading for Am.

Chord movement

E7 Am7 CV7/vi → vi7secondary resolution AmV7 → i7harmonic-minor cadence ×10
Bm7b5 E7 Cviiø7 → V7/vi Amiiø7 → V7ii° → V ×10

The move to watch is E7 → Am7, heard 10 times. From the Am side it is V7 → i7 (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V7/vi → vi7 (secondary resolution: E7 resolves a fourth up to Am7). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
When E7 comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The first chord is Am7; the ear learns where home is within a second. Am7, Dm7, F, Bm7b5 carry the song: vi7–ii7–IV–viiø7 relative to C, i7–iv7–VI–iiø7 relative to Am. E7 is the interesting twist: in C it is a chromatic chord (V7/vi), while in Am it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on E7 → Am7 (V7/vi → vi7 in C, V7 → i7 in Am): harmonic-minor cadence — the major V resolves dramatically. The final chord is Am7; the ear comes to rest in Am.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Zeynep Bastık - Bu Gece Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sezen Aksu

Music: Onno Tunç

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