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Zeynep Bastık - Bundan Böyle - Chord

Key Gb major – Eb minor Chords Ebm, Db, Bbm, Abm, B Easy key C (capo 6)

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Capo 0
Ebm  Db  Abm  Bbm

Ebm                       Db
Temiz bir sayfa dedim bir anda
        Abm         Bbm           Ebm   Db  Abm  Bbm
Seninle dizdiğim yıldızlar önümde parlar

       Ebm             Db
Ben ve kendim kararlar aldık
          Abm              Bbm           Ebm  Db  Abm  Bbm
Bi' dilek tuttuk, kıyılara yazdık, gizli saklı

Ebm              Db
Bu kadeh Ege'nin İzmir'ine
Bbm            B
Umutla dolan o gözlerine
Ebm        Db
Bütün yara izlerini
Abm                   Bbm
Seviyorum, öpüyorum, görüyorum artık

Ebm                 Db
Başka da hiçbir şey istemedim
Bbm                  B
Bir şarkı da ikimize besteledim
Ebm       Db
Yara bere ellerimiz ama 
Abm                Bbm  
Yürüyoruz ileriye ve diyoruz artık

Ebm    Db    Bbm            B
Bundan böyle hüzün yok bu resimde
Ebm                 Db    Abm             Bbm
Ne bi' kavga ne bi' öfke, hepsi bir bir eksildi
Ebm         Db     Bbm             B
Aldım kabul ettim, çok büyük yemin ettim
Ebm             Db      Abm                Bbm       Ebm  Db  Bbm  B
Benim haylaz bu kalbim, kenarda bi' yerde durmayacak öyle

       Ebm  Db  Abm  Bbm
Bundan böyle

      Ebm          Db          Bbm           B           Ebm    Db  Abm  Bbm
Canım çekti, aklım kaydı dedim ruhumun belki bi' bildiği vardır
      Ebm          Db          Abm          Bbm          Ebm    Db  Abm  Bbm
Koşup gittim ne zamandır ilk defa hayallere daldım, dalgalandım

Ebm             Db        Bbm               B
Şimdi gülüyorum eskilere, yarım kalan tüm heveslerime
Ebm        Db        Abm                   Bbm
Bir iki nefeslenerek dönüyorum, bakıyorum, biliyorum artık
Ebm          Db        Bbm                B
Bu yürek hiç eskimedi, dönüp bi' gün bile pes demedi
Ebm       Db         Abm               Bbm
Görüyorum hislerini, gidiyorum ileriye ve diyorum artık

Ebm    Db    Bbm            B
Bundan böyle hüzün yok bu resimde
Ebm                 Db    Abm             Bbm
Ne bi' kavga ne bi' öfke, hepsi bir bir eksildi
Ebm         Db     Bbm             B
Aldım kabul ettim, çok büyük yemin ettim
Ebm             Db      Abm                Bbm       Ebm  Db  Bbm  B
Benim haylaz bu kalbim, kenarda bi' yerde durmayacak öyle

       Ebm  Db  Abm  Bbm
Bundan böyle

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Zeynep Bastık - Bundan Böyle Tabs

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Harmony analysis

Zeynep Bastık – Bundan Böyle: key and chord analysis

The song opens on Ebm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = F (leading tone, pulls home)
  • 4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Cb (the minor's melancholy)
  • b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 29 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree Chord Role Notes In song
I Gb Tonic — home Gb · Bb · Db —
ii Abm Supertonic — prepares the dominant Ab · Cb · Eb 18×
iii Bbm Mediant — a tonic-family shade Bb · Db · F 29×
V/vi Bb Secondary dominant V/vi — leads to Ebmsecondary dominant Bb · D · F —
IV B Subdominant — moves away from home B · D# · F# 11×
V Db Dominant — strongest pull home Db · F · Ab 29×
vi Ebm Relative minor — the melancholy side Eb · Gb · Bb 29×
vii° Fdim Leading-tone chord — tension F · Ab · Cb —
Seen from Eb minor
Degree Chord Role Notes In song
i Ebm Tonic — home Eb · Gb · Bb 29×
ii° Fdim Supertonic — prepares the dominant F · Ab · Cb —
III Gb Relative major — the bright side Gb · Bb · Db —
iv Abm Subdominant — moves away from home Ab · Cb · Eb 18×
v Bbm Minor dominant — soft pull Bb · Db · F 29×
V Bb Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor Bb · D · F —
VI B Submediant — warm colour B · D# · F# 11×
VII Db Subtonic — steps back to the tonic Db · F · Ab 29×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 116 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×17
  2. B Ebm GbIV → vi EbmVI → iVI → i ×11

The move to watch is Bbm → Ebm, heard 17 times. From the Ebm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Gb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
  • Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
  • Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Gb major shapes

    • Capo 2 + E shapes
    • Capo 4 + D shapes
    • Capo 6 + C shapes

    With Eb minor shapes

    • Capo 1 + Dm shapes
    • Capo 6 + Am shapes

    Easiest keys on guitar

    • 6 semitones up · capo 6 keeps the original pitch
    • 1 semitone up

    The song's harmonic story

    Starting on Ebm, the song gives away its key from the very first bar. Ebm, Db, Bbm, Abm carry the song: vi–V–iii–ii relative to Gb, i–VII–v–iv relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Ebm (iii → vi in Gb, v → i in Ebm): natural-minor cadence — gentle, modal arrival. The final chord is Bbm; the ear comes to rest in Gb.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Zeynep Bastık - Bundan Böyle Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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    Lyrics: Nova Norda
    Music: Nova Norda
    Arrangement: Ufuk Kevser

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