Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Nigar Muharrem - Meselen - Chord
Key Bb major – G minor Chords Gm, F, Dm, Cm, Ebmaj7, Bb Easy key C
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Key: Bb | Gm
Capo: 0
Gm F Gm F Ebmaj7 Dm Cm Dm Ebmaj7 Dm Cm Bb
Gm F
Men ferqli insanam
Gm F
Ona göre ferqli sevmişem
Ebmaj7 Dm
Sonunda peşman olmaq da var
Cm Dm
Bilmişem, bunu bilmişem
Gm F
Deyirdin neden derdlisen
Gm F
Derde bax mende, derde bax
Ebmaj7 Dm
Yalanlarınla ferqlisen
Cm Bb
Ferqe bax, özün ferqe bax
Ebmaj7 Dm Ebmaj7 F
Gm
Meselen biri ele sen
Dm F
Menim kimi olmadın, ola bilmezsen
Cm F Gm
Meselen biri ele men
Cm Dm
Küsende könlümü ala bilmezsen
Gm
Meselen biz özümüzü
Dm F
Esebden saxlaya da bilerdik
Cm F Gm
Meselen bu olayı biz
Cm Bb
Evvelden bağlaya da bilerdik
Gm Gm Dm F Cm F Gm Cm Bb
Gm F
Her şeyi özün başladın
Gm F
Dön keçmişine bir de bax
Ebmaj7 Dm
Men öldüm, sen yaşadın
Cm Bb
Ferqe bax, özün ferqe bax
Gm F
Deyirdin neden derdlisen
Gm F
Derde bax mende, derde bax
Ebmaj7 Dm
Yalanlarınla ferqlisen
Cm Bb
Ferqe bax, özün ferqe bax
Gm
Meselen biri ele sen
Dm F
Menim kimi olmadın, ola bilmezsen
Cm F Gm
Meselen biri ele men
Cm Dm
Küsende könlümü ala bilmezsen
Gm
Meselen biz özümüzü
Dm F
Esebden saxlaya da bilerdik
Cm F Gm
Meselen bu olayı biz
Cm Bb
Evvelden bağlaya da bilerdik
End of song Play again?
Nigar Muharrem - Meselen Tabs
NotesX
Harmony analysis
Nigar Muharrem – Meselen: key and chord analysis
The song opens on Gm and ends on Bb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor because it comes to rest on Bb, it opens on Gm and Gm is heard 21 times against 7 for Bb. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 7× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 16× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 16× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 8× |
| V | F | Dominant — strongest pull home | F · A · C | 21× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 21× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 21× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 7× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 16× |
| v | Dm | Minor dominant — soft pull | D · F · A | 16× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 8× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 21× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 89 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×11
- Cm F Bbii → Vii → V Gmiv → VII ×5
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×3
- Ebmaj7 F BbIVmaj7 → VIV → V GmVImaj7 → VIIVI → VII ×1
The move to watch is F → Gm, heard 11 times. From the Bb side it reads V → vi (deceptive cadence: expected Bb, lands on Gm); from the Gm side it is VII → i (Aeolian arrival: rises a whole tone into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The backbone is Gm, F, Dm, Cm — vi–V–iii–ii from the Bb side, i–VII–v–iv from the Gm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Gm (V → vi in Bb, VII → i in Gm): deceptive cadence — expected Bb, lands on Gm. The final chord is Bb; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Nigar Muharrem - Meselen Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Rauf SübhiMusic: Rabil SeferliArrangement: Rabil Seferli
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