Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Bahar Ateş - Yine Gider misin (Kurban Olurum) - Chord
Key C major – A minor Chords Em, Dm, Am, G, A7, F, Cmaj7 Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am Em
Yanlız gitme, al beni de
Dm Em
Mutluluk kaderi yazımız olsun
Am Em
Uçan kuşlar gibi özgürlüğe
Dm Cmaj7
Son dileğimiz olsun
Dm
Savaşmadık mı seninle
Em
Ayıramaz diye kimse
Am G Dm A7 Dm
Şimdi pes etmek mi niyetin söyle
F Em Dm Cmaj7
Öyleyse şimdi dinle hatırlarsın belki de
Am Em
Kurban olurum ben senin boyuna posuna
G A7 Dm
Deli misin ayrılır mıyım kafayı yerim sonra
Sen benim göz bebeğim
Em
Hayatımın şanslı uğur böceği
Am G F
Tanıdık geldi mi söyle
Dm Em
Bu cümlelerim
Am Em
Kurban olurum ben senin boyuna posuna
G A7 Dm
Deli misin ayrılır mıyım kafayı yerim sonra
Sen benim göz bebeğim
Em
Hayatımın şanslı uğur böceği
Am G F
Tanıdık geldi mi söyle
Dm Em
Bu cümlelerim
End of song Play again?
Bahar Ateş - Yine Gider misin (Kurban Olurum) Tabs
NotesX
Harmony analysis
Bahar Ateş – Yine Gider misin (Kurban Olurum): key and chord analysis
The song opens on Am and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 7 times against 2 for C. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Cmaj7 | Tonic — home | C · E · G · B | 2× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 10× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 11× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 3× |
| V | G | Dominant — strongest pull home | G · B · D | 5× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 7× |
| V7/ii | A7 | Secondary dominant V/ii — leads to Dmsecondary dominant | A · C# · E · G | 3× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 7× |
| V7/iv | A7 | Secondary dominant V/iv — leads to Dmsecondary dominant | A · C# · E · G | 3× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| IIImaj7 | Cmaj7 | Relative major — the bright side | C · E · G · B | 2× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 10× |
| v | Em | Minor dominant — soft pull | E · G · B | 11× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 3× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 5× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 7 different chords appear 41 times in total; 6 of them sit naturally inside the shared scale. A7 acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Em Am Ciii → vi Amv → inatural-minor cadence ×5
- A7 Dm CV7/ii → iisecondary resolution AmV7/iv → iv ×3
The move to watch is Em → Am, heard 5 times. From the Am side it is v → i (natural-minor cadence: gentle, modal arrival); from the C side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The chords that keep coming back are Em, Dm, Am, G; read them as iii–ii–vi–V in C or v–iv–i–VII in Am. A7 adds a moment of surprise: secondary dominant V/ii — leads to Dm. Keep an ear on Em → Am (iii → vi in C, v → i in Am): natural-minor cadence — gentle, modal arrival. It closes on Em, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bahar Ateş - Yine Gider misin (Kurban Olurum) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Bahar Ateş Music: Bahar Ateş Arrangement: Coşkun Kıvılcım
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.