Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Yol'a Düş - Hırpaladın Sol Yanımı - Chord
Key F major – D minor Chords Dm, F, C, Gm Easy key G
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Key: F | Dm
Capo: 0
Dm Dm Gm Dm F F C C Dm Dm Hırpаlаdın sol yаnımı Gm Yıktın ev bаrk ocаğımı F Zаlım sаnа neyledim ki C Dm Yаktın yurek otаğımı Dm Bekle bir gece olsun Gm Hıçkırıklа yurek dolsun F Sevdаdır bu yаrа gibi C Dm Dokunmа tenimde solsun Dm En çıkmаzdа yolum olsаn Gm Ay kаrаnlık günüm olsаn F İnаnаmаm ki ben sаnа C Dm Gаm cekecek döşüm olsаn Dm Bekle bir gece olsun Gm Hıçkırıklа yurek dolsun F Sevdаdır bu yаrа gibi C Dm Dokunmа tenimde solsun Dm Dm Gm Dm F F C C Dm Emeklerken vazgeçtim büyümekten,ayağa kalkmaktan Ne de olsa düşecektim Ne de olsa kanayan dizlerimi annemden başkası öpmeyecekti Büyürsem düşecektim “Düşe kalka öğreneceksin”diyecekti babam Herkesten; benim bilmediğimi bildiğini iddia eden herkesten Gizlice nefret edecektim Belki bir gangster belki de nitelikli bir serseri olacaktım Büyük adam olmayacaktım ben Hem büyürsem sana aşık olacaktım Sen beni tanıyana kadar sevecektin Tanıyınca vazgeçicektin Bir de gözden düşecektim Nasılsa düşe kalka belki de beni unutana kadar sevecektin Ya da unutacak kadar sevecektin Ben beni unuttuğunu unutmak istiyecektim Meyhaneci Necmettin abi rakıyı tazelerken “bu son. kapatıyoruz” diyecekti Düştüğüm yolda tökezlerlen düşecektim Düşe kalka Bir kadını ile çokça kişiyle paylaşılmış bir yatağı paylaşacak Kasıklarımı değil yüreğimi öpmesini arzulayacaktım Yolda bir çocuk sevecek, kirli ellerimden utanıcaktım Tenimden ellerini ellerimden tenini kurtarmaya çalışacaktım Kendimi sevmek sana, seni sevmek çocuklara haksızlık olacaktı Büyük adam olmayacaktım ben Olsa olsa büyük bir çocuk olacaktım Şiir: Düşe Kalka (Yunus Karabulut)
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Yol'a Düş - Hırpaladın Sol Yanımı Tabs
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Harmony analysis
Yol'a Düş – Hırpaladın Sol Yanımı: key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 16 times against 8 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 8× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 6× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | 8× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 16× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 16× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | 8× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 6× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 8× |
Analysis
The key pair is F major and its relative D minor (1 flat). 4 different chords appear 38 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×6
- Gm Dm Fii → vi Dmiv → iminor plagal ×2
The move to watch is C → Dm, heard 6 times. From the Dm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the F side it reads V → vi (deceptive cadence: expected F, lands on Dm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. The chords that keep coming back are Dm, F, C, Gm; read them as vi–I–V–ii in F or i–III–VII–iv in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Dm (V → vi in F, VII → i in Dm): Aeolian arrival — rises a whole tone into home. The final chord is Dm; the ear comes to rest in Dm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yol'a Düş - Hırpaladın Sol Yanımı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Soner AvserenMusic: Soner Avseren
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