Haluk Levent - Giden Yolcu Ulan Dünya Reş - Chord

Key Eb major – C minor Chords G, Ab, Cm, Eb, Fm, Gm, G5, F5 … Easy key C (capo 3)

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Capo 0

Ab  G  Cm  Cm

Fm              Eb  Gm             Cm
Sokaklar boşalmış, ışıklar şimdi loş
Fm              Eb     Gm   G5  F5  Eb5  D5
Sadece ben miyim ki sarhoş
  Ab            Bb    G              Cm
İnsanlar şaşırmış, herkes bir şey arıyor
   Fm              Eb     G
Buldum diyenler bile, yanıyor
                Fm
Söyle bir kez olsun
        Eb       G
Kimlere döndün de, kimlere durdun

        Ab  G            Cm
Ulan dünyaa adaletin yok mu
         Ab  G               Cm
Yalan dünyaa yeter be çok yordun
        Ab  G               Cm
Ulan dünyaa hiç insafın yok mu
            Ab  G            Cm
Dönmüyor kimsee hep giden yolcu

Fm              Eb       Gm          Cm
Hayatlar yaşandı, bir yerlerde buluştuk
     Fm            Eb          G   G5  F5  Eb5  D5
Zamanlar paylaşıldı, hep konuştuk
  Ab            Bb     G              Cm
Onlar gitti sonra, hiç bir şey söylemeden
    Fm              Eb       G
Bak kaldık burada yine senle ben
               Fm           Eb
Söyle neden iyiler bu kadar çabuk gider
G
Dur da cevap ver

        Ab  G            Cm
Ulan dünyaa adaletin yok mu
         Ab  G               Cm
Yalan dünyaa yeter be çok yordun
        Ab  G               Cm
Ulan dünyaa hiç insafın yok mu
            Ab  Fm           Cm
Dönmüyor kimsee hep giden yolcu

Ab
Biliyorum her gün peşimdesin, Azrail gibi tetiktesin
Eb
İyiler kazanır demişti annem, sen o masalları bilir misin
Ab
Rekabet değil yaşamda temel, elimde değil, önümde kader
Eb
Yaşamak için ödersin bedel, kara bir sayfa yazar, çizer
G
Anlamıyorlar, konuşuyorlar, ellerim bağlı, sormuyorlar
Ab
Sırtımda yer yok, doymuyorlar, inan, başar, konuşuyorlar
Eb
Siyah ve beyaz, bugün ve yarın, kafamda poyraz sorular baskın
G
Her gün bela ve her gün vukuat, sokaklar acımaz taksan da kravat
Ab                               G
Düşüyor beyazlar her gün saçıma, hayallerimse kaldırım taşına
Cm
Meçhulüm artık anlamsız öçler, unutalım artık kalmadı düşler
Ab                               G
Bir kuş gibiyim gördüm her şeyi, yalanmış hepsi, tanıdım herkesi
Cm
Sevdim, suçum olsun dünyada, adalet bugün sade rüya

        Ab  G            Cm
Ulan dünyaa adaletin yok mu
         Ab  G               Cm
Yalan dünyaa yeter be çok yordun
        Ab  G               Cm
Ulan dünyaa hiç insafın yok mu
            Ab  Fm           Cm
Dönmüyor kimsee hep giden yolcu

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Haluk Levent - Giden Yolcu Ulan Dünya Reş Tabs

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Harmony analysis

Haluk Levent – Giden Yolcu Ulan Dünya Reş: key and chord analysis

The song opens on Ab and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it comes to rest on Cm, Cm is heard 20 times against 13 for Eb and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	11×
I	Eb5	Tonic — home	Eb · Bb	2×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	10×
II	F5	Supertonic — prepares the dominant	F · C	2×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	3×
III	G5	Mediant — a tonic-family shade	G · D	2×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	22×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	20×
V	Bb	Dominant — strongest pull home	Bb · D · F	2×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	20×
VII	D5	Leading-tone chord — tension	D · A	2×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	20×
II	D5	Supertonic — prepares the dominant	D · A	2×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	11×
III	Eb5	Relative major — the bright side	Eb · Bb	2×
iv	Fm	Subdominant — moves away from home	F · Ab · C	10×
IV	F5	Subdominant — moves away from home	F · C	2×
v	Gm	Minor dominant — soft pull	G · Bb · D	3×
V	G5	Minor dominant — soft pull	G · D	2×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	22×
VI	Ab	Submediant — warm colour	Ab · C · Eb	20×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	2×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 11 different chords appear 96 times in total; 10 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.

Chord movement

G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×15
Ab Eb EbIV → Iplagal cadence CmVI → III ×3
Fm Cm Ebii → vi Cmiv → iminor plagal ×2
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×2
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×2

The move to watch is G → Cm, heard 15 times. From the Cm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Eb side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Ab lays a solid floor for everything that follows. The backbone is G, Ab, Cm, Eb — V/vi–IV–vi–I from the Eb side, V–VI–i–III from the Cm side. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on G → Cm (V/vi → vi in Eb, V → i in Cm): harmonic-minor cadence — the major V resolves dramatically. Ending on Cm, the song seals Cm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Haluk Levent - Giden Yolcu Ulan Dünya Reş Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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